District B13/District 13: Ultimatum 2-Pack [Blu-ray]

• District B13Brought to you by the producer of Transporter, Transporter II, Ong-Bak, The Professional and La Femme Nikita. Paris, 2010. An isolation wall surrounds the ghetto cities of District B13. Within these walls, without effective law enforcement, gang rule is absolute. Damien is a member of an elite police squadron highly trained in martial arts. He goes undercover to infiltrate a gang in or

With bone crunching fights and death defying leaps, this adrenaline charged follow-up takes the groundbreaking parkour action from DISTRICT B13 to thrilling new heights. (Fangoria) Two years have passed since elite police officer Damien Tomasso (Cyril Raffaelli) teamed up with reformed vigilante Leito (David Belle) to save the notorious District 13, a racially charged ghetto populated by violent drug dealing gangs and vicious killers. Despite government promises to maintain order, the state of the d! istrict has deteriorated. A group of corrupt cops and elected officials conspire to cash in on the redevelopment of the district by proposing its destruction under nuclear air strike. Damian and Leito must join forces again, using their martial arts and unique physical skills, to bring peace to the neighborhood by any means necessary.

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Baby Geniuses/Superbabies: Baby Geniuses

• DVD, Double Feature, Full Screen, Special Features
• Sony Pictures, both movies 1:33 minutes each

DR. ELENA KINDER IS CONVINCED THAT ALL BABIES ARE BORN KNOWINGTHE SECRETS OF THE UNIVERSE. HER CAPTIVE STABLE OF BABY GENIUSESDON'T THINK ADULTS ARE READY FOR THAT INFORMATION AND SET OUT TOFOIL HER EVIL PLOT.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably fi! lmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasA SUPER-BABY WITH MYSTERIOUS POWERS COMES TO THE AID OF A NEW SET OF BRILLIANT TODDLERS IN THIS HIGH-ADVENTURE SEQUEL.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to ! speak (and dumb down). What she plans to do with this knowledg! e is nev er really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasDr. Elena Kinder (Kathleen Turner) is out to dominate the world. Two-year-old Sly is the only person in her way. Dr. Kinder and her partner in crime, Dr. Heep (Christopher Lloyd), have a covert research lab dedicated to cracking the code to a secret baby language. When Sly escapes from the lab, he joins his twin brother Whit in an effort to expose the nefarious plot. Raised by his uncle (Peter MacNicol), who cares! for special children, Whit is naive to the ways of the world, and is quickly captured by Dr. Kinder. Mistaken for Whit, Sly is taken back to his uncle, where he rallies the other foster babies into a Super commando rescue squad to invade the secret lab in an effort to squash Dr. Kinder's evil plot.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual eff! ects like the animals in Babe. They also karate chop ad! ults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasWhen babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual effects li! ke the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasStudio: Sony Pictures Home Ent Release Date: 03/30/2010

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Broken English

• Croatian born NINA (Aleksandra Vujcic) escapes with her family from their war ravaged homeland to the culturally mixed suburbs of Auckland, New Zealand. Smothered by the controlling love of her volatile father, IVAN (Rade Serbedzija), Nina finds tender romance when she falls in love with EDDIE (Julian Arahanga), a New Zealand native (Maori). Frustrated, Nina knows there is no chance that she and E

Though made by the daughter of iconoclastic filmmaker John Cassavetes, Broken English is a surprisingly old-fashioned affair. Just as her friend Sofia Coppola wrote about a woman much like herself for Lost in Translation, Zoe Cassavetes has done something similar for her first film (although Before Sunset seems to have exerted a greater influence). Nora (Parker Posey in typically fine form) works in guest relations for a hip New York hotel, just as the writer/director once did. ! Her best friend, Audrey (Drea de Matteo, The Sopranos), has been married for five years, while Nora remains single. Her mother, Vivien (Gena Rowlands, Zoe's real-life mother), would like to see her settle down. First, Nora goes on a date with self-obsessed actor Nick (a mohawked Justin Theroux), then blind date Charlie (Josh Hamilton). Neither ends well. Nora laments, "Men hate me," but Audrey argues that Nora really hates herself. Her self-confidence gets a boost when she meets Julien (Melvil Poupaud, François Ozon's Time to Leave), a chain-smoking, fedora-sporting Frenchman. Just as she starts to falls for him, Julien returns to Paris, so Nora has to decide whether to stay...or to go. Much like the ladies of Sex and the City (on which Theroux guested), she's the kind of character who appears to have it all, but feels worthless if she isn't in a relationship. It isn't a particularly progressive notion--that the right man will solve every problem--but ! that doesn't mean plenty of women won't be able to relate. ! --Kathle en C. Fennessy

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Factotum tie-in

• ISBN13: 9780061131271
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

One of Charles Bukowski's best, this beer-soaked, deliciously degenerate novel follows the wanderings of aspiring writer Henry Chinaski across World War II-era America. Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant way from one drink to the next.

Charles Bukowski's posthumous legend continues to grow. Factotum is a masterfully vivid evocation of slow-paced, low-life urbanity and alcoholism, and an e! xcellent introduction to the fictional world of Charles Bukowski.

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Angel: The Complete Series (Collector's Set)

• Condition: New
• Format: DVD
• Box set; Color; DVD; NTSC

• ANGEL SEASON 1 (6 DISCS)
• ANGEL SEASON 2 (6 DISCS)
• ANGEL SEASON 3 (6 DISCS)
• ANGEL SEASON 4 (6 DISCS)
• ANGEL SEASON 5 (6 DISCS)

Angel - Season One

He's hunky, he's brooding, he's a do-gooder, and he was Buffy's first boyfriend. Angel, the tortured vampire destined to walk the earth with a soul, got his own series after three seasons on Buffy the Vampire Slayerand did what any new star might do: he moved to L.A. (the City of Angels--get it?) and set up shop. Angel (co-created by Buffy mastermind Joss Whedon) finds the titular vampire (David Boreanaz) as a kind of supernatural private investigator, fighting evil one case at a time and, like his ex-girlfriend, keeping the world from getting destroyed by vengeful demons and such. This first season features guest a! ppearances by various Buffy characters, including werewolf boy Oz (Seth Green), rogue slayer Faith (Eliza Dushku), deliciously evil vamp Darla (Julie Benz), and Buffy herself (Sarah Michelle Gellar), all of whom helped get the show off and running in style.

Angel - Season Two

The second season of Angel, saw the cult vampire show finally stand on its own from Buffy the Vampire Slayer, assembling all the members of the show's core cast, transferring the action to a fashionably run-down L.A. hotel, and bringing in a few Buffy characters from Angel's history to further establish the moody vampire's own mythology. Moving their Angel Investigations to posher digs, Angel (David Boreanaz), Cordelia (Charisma Carpenter), and Wesley (Alexis Denisof) were soon joined by street fighter (J. August Richards)â€"-and by street fighter, of course we mean demon street fighter. But just as this group was solidifying, up popped Angel's old love, Darla (the fantastic Julie Benz), ! freshly arrived in L.A. from a hell dimension… just in time ! to be tu rned into a vampire again by her old cohort, Drusilla (Juliet Landau), and lure Angel into abandoning his newly formed team.

Angel - Season Three

In the third season of Angel, the titular vampire with a soul was forced to stand alone thanks to the (temporary) death of his beloved Buffy and her show's move to a new network, with no crossover between the two allowed. He returns from seeking peace in a demon-haunted monastery to find the L.A. Angel Investigations team fighting supernatural crime in his absence. Fred is still haunted by the nightmare dimension from which they rescued her; Cordelia's visions get ever more painful and debilitating. The schemes of the evil law firm Wolfram and Hart become every more imaginative and dragon lady Lilah Morgan becomes even more of an enemy when lusting after Angel. Unbelievably, Darla, Angel's vampire sire and lover, turns up, pregnant with his child and is tortured by inexplicable motherly feelings as well as a raging th! irst for human blood.

Angel - Season Four

As the fourth season of Angel, starts, everything is still as we left it: Angel has been sunk to the bottom of the sea in an iron box by his inexplicable and vindictive son Connor and Cordelia has been summoned to higher realms to await orders. Gunn and Fred are left in the Hyperion Hotel, unsure about what has happened to their friends, and Lilah is working hard to seduce Wesley to the dark side. In the first few episodes, some of this is resolved but it's almost immediately replaced by far worse crises: prophesies of doom accumulate more rapidly even than usual in this wonderfully gloomy show and a horned rock-like beast rains fire on Los Angeles. This last year is Angel’s most tightly dramatic season yet--with a story arc of surprising intensity punctuated by the show's usual wit and sexiness.

Angel - Season Five

Lives were upended--and some co-opted--in the fifth and final season of Angel, as the de! nizens of Angel Investigations found themselves taking on one ! of their scariest endeavors ever: corporate life. After making a literal deal with the devil (or something distinctly devil-like), Angel (David Boreanaz) moved his team from their crumbling hotel to the high-rise digs of law-firm-from-hell Wolfram & Hart, his reasoning being they could better fight the forces of evil from the inside, and with more resources to boot. Clever maneuvering or easy rationalization? Not a few members of Angel's team accused him of selling out (as did a number of viewers), but as with most of the show's previous four seasons, Angel somehow took a dubious premise and mined it for gold. And with one core cast member gone (Charisma Carpenter, whose Cordelia was immersed in a deep coma), it seemed as if the show, from within and without, would suddenly fall apart--that is, until Angel's longtime nemesis Spike (James Marsters) showed up, fresh from his sacrificial roasting at the series finale of Buffy the Vampire Slayer. Let the vampire games begin!

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The Go-Getter

• GO GETTER, THE (DVD MOVIE)

ALL THE REAL GIRLS - DVD MovieYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someo! ne's first love recalled with fondness and just a bit of regret. --Robert HortonYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someone's first love recalled with fondness and just a bit! of regret. --Robert HortonSometimes you find love wher! e you'd least expect it. Just ask Lars (Academy Award-Nominee* Ryan Gosling), a sweet but quirky guy who thinks he's found the girl of his dreams in a life-sized doll named Bianca. Lars is completely content with his artificial girlfriend, but when he develops feelings for Margo, an attractive co-worker, Lars finds himself lost in a hilariously unique love triangle, hoping to somehow discover the real meaning of true love. Offbeat and endearing, this romantic comedy takes a fresh look at dating and relationships and dares to ask the question: What's so wrong with being happy?To some, Lars and the Real Girl will play as comedy; to others, tragedy. Though Craig Gillespie (Mr. Woodcock) allows Lars Lindstrom (a mustachioed Ryan Gosling, miles away from Half Nelson) a happy ending, the road is far from smooth. This rumpled Midwesterner couldn't be more miserable. His brother, Gus (Paul Schneider, All the Real Girls), and sister-in-law, Karin (Emily Mortimer, Love! ly and Amazing), fall over themselves to cheer him up, but Lars cannot be moved; he’s been like that since childhood. Then a porn-addicted co-worker hips him to the lifelike Real Doll. The next thing everyone knows, Lars has a new girlfriend named Bianca. She's from Brazil, she's shy, and she uses a wheelchair. She's also made of silicon. (Because Lars is a devout Christian, hanky-panky is out of the question.) Since he's finally emerging from his shell, his doctor, Dagmar (Patricia Clarkson), advises Gus and Karin to play along with the "delusion." Soon the whole town, including Margo (Kelli Garner), who harbors a not-so-secret crush on her officemate, gets in on the action, forcing Lars to rejoin the human race or crawl deeper into psychosis. Written by Six Feet Under's Nancy Oliver, Lars and the Real Girl is built around such a preposterous premise, it's hard to know whether to laugh or cry. Fortunately, the actors play it straight. Gosling does his b! est to make Lars sympathetic, but Schneider and Mortimer, full! y convin cing in their concern, are the true heart and soul of this odd little film. --Kathleen C. Fennessy

Beyond Lars and the Real Girl

More from Ryan Gosling

Lars and the Real Girl Soundtrack

More Comedies from MGM

Stills from Lars and the Real Girl

The Great Depression hits home for nine-year-old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee* Abigail Breslin stars as Kit, leading a splendid cast in the first-ever American Girl theatrical movie. In order to keep their home, Kit and her mother must take in boarders paying houseguests who turn out to be full of fascinating stories. When m! others lockbox containing all their money is stolen, Kits new ! hobo fri end Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real news get her and her friends into big trouble. The police say the robbery was an inside job, committed by someone they knew. So if it wasnt Will, then who did it?A period piece set in the Great Depression and based on the extremely popular American Girl book series, Kit Kittredge is a moving and believable story about a smart 10-year-old girl whose family is profoundly affected by the Depression. May, 1934 finds Kit Kittredge (Abigail Breslin) living a very comfortable life in a nice home with her mother (Julia Ormond) and father (Chris O'Donnell) despite the Depression that is affecting many of her neighbors. When her father's auto dealership is taken back by the bank, Kit's father is forced to head for Chicago to look for work, leaving his family struggling to make ends meet by taking in borders. Kindhearted and generous by nature, Kit's nose for! news and her aspirations of becoming a great reporter lead her to write a portrait of the boardinghouse run by her mother, essentially a kid's view of the Depression as well as an article about hobos that challenges many commonly held prejudices. Kit determinedly submits her articles to the local Cincinnati Register paper, regardless of the chief editor's stern ways and obvious lack of interest. When her own family and boarders become the victims of a crime, Kit's must utilize her investigative skills to solve the crime and exonerate her friend Will (Max Thieriot). Breslin's performance in this film is stellar--viewers can't help but believe that she is Kit Kittredge. The filmmakers' attention to detail ensures that everything from scenery props to music and dialogue seem completely authentic, and performances by Joan Cusack as the mobile librarian, Stanley Tucci as the traveling magician, Jane Krakowski as the desperate-for-love dance instructor, and Zach Mills as Kit's y! oung friend, are all impressive. Serious American Girl fans, p! eriod fi lm lovers, and viewers just looking for a good story will love this film. (Ages 3 and older) --Tami HoriuchiYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someone's first love recalled w! ith fondness and just a bit of regret. --Robert HortonFabulous, fashionable and completely “hot,” The Real L Word is reality TV that only Showtime can bring you. Meet six of the most gorgeous, powerful, and fascinating lesbians of LA. They live life within the glamorous inner circle of Hollywood and no matter who you are, it won’t be long until you’re caught up in their drama.When a teenager s mother dies, his road trip in a stolen car to reunite with his long lost brother unexpectedly becomes a fun roller-coaster of self-discovery.

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Gone in 60 Seconds [Blu-ray]

• GONE IN 60 SECONDS (BLU-RAY DISC)

Academy Award(R)-winners Nicolas Cage (1996 Best Actor, LEAVING LAS VEGAS; ADAPTATION, MATCHSTICK MEN) and sexy Angelina Jolie (1999 Best Supporting Actress, GIRL INTERRUPTED; LARA CROFT TOMB RAIDER) ride an unstoppable wave of speed and adrenaline in this hot, egdy action hit from high-octane producer Jerry Bruckheimer (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, PEARL HARBOR). Legendary car booster Randall "Memphis" Raines (Cage) thought he'd left the fast lane behind -- until he's forced out of retirement in a do-or-die effort to save his kid brother (Giovanni Ribisi, LOST IN TRANSLATION, TV's FRIENDS) from the wrath of an evil mobster! But with speed to burn and attitude to spare, Memphis hastily reassembles his old crew -- a rogues' gallery including Academy Award-winner Robert Duvall (1983 Best Actor, TENDER MERCIES; OPEN RANGE) -- and floor! s it in a full-throttle race to pull off the ulimate car heist: 50 exotic beauties in 24 hours -- and the cops are already on to them! Directed by Dominic Sena and written by Scott Rosenberg, GONE IN 60 SECONDS is an action-packed thrill ride that comes out fast and never slows down.Kip Raines (Giovanni Ribisi) is a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter." Being young and cocky, Kip messes up, so it's up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage, and Ribisi, it would be easy to say this story wastes all their talents--which it does, but that's not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of ! the same name) is not about the stars as much as it's about ca! rs. Fast cars. Rare cars. Wrecked cars. All cars. Too bad director Dominic Sena (Kalifornia) doesn't come across as more of a gearhead; he seems less interested in fast cars than fast cuts. But is this movie fun? Absolutely, and it's fun because it's so stupid. With pointless car chases and hackneyed dialogue in one of the most predictable plots of the year, Gone in 60 Seconds is a comic film that's not quite a parody of itself, but darn close. --Andy SpletzerFasten your seat belts for the ride of your life as Jerry Bruckheimer's high-octane hit reaches a new gear in a revolutionary high-definition format. Nicolas Cage and Angelina Jolie go full throttle as they try to pull off the ultimate heist -- 50 exotic cars in 24 hours! The action revs up like never before on Blu-ray disc. Experience every jaw-dropping chase scene in stunning 1080p. Feel the screech of the tires and the roar of the engines presented in 5.1 48 kHz, 24-bit uncompressed audio.! Enjoy GONE IN 60 SECONDS like never before -- with a pristine high-definition picture and theater-quality sound.Kip Raines (Giovanni Ribisi) is a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter." Being young and cocky, Kip messes up, so it's up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage, and Ribisi, it would be easy to say this story wastes all their talents--which it does, but that's not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of the same name) is not about the stars as much as it's about cars. Fast cars. Rare cars. Wrecked cars. All cars. Too bad director Dominic Sena (Kalifornia) doesn't com! e across as more of a gearhead; he seems less interested in fa! st cars than fast cuts. But is this movie fun? Absolutely, and it's fun because it's so stupid. With pointless car chases and hackneyed dialogue in one of the most predictable plots of the year, Gone in 60 Seconds is a comic film that's not quite a parody of itself, but darn close. --Andy Spletzer

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Alpha and Omega

• Come along on the ultimate road-trip adventure that will leave the whole family howling with

Come along on the ultimate road-trip adventure that will leave the whole family howling with laughter! When Kate, a take-charge “Alpha” wolf, and Humphrey, a laid-back “Omega” wolf, get snatched by park rangers and relocated halfway across the country, the two must set off on an incredible journey home! With the help of a goofy golfing goose and his quacky duck caddy, Kate and Humphrey won’t let anything stop them â€" prickly porcupines, grumpy bears, even a speeding locomotive â€" from getting back to Jasper Park in time to help save their pack from rival wolves! And along the way, Kate and Humphrey learn that even though they are complete opposites, they make a pretty good team! It’s a thousand miles of fun in this wildly entertaining journey the whole pack can enjoy together!Love is bli! nd to the rules of tradition, opposites attract, and both clichés apply quite nicely to the wolves in Alpha and Omega. In the wolf world, the pack values the omega wolves' skill of defusing tense situations with humor just as much as they value the keen leadership skills of the alpha wolves, but tradition dictates that alpha wolves don't mate with omega wolves. So, when the all-business alpha wolf Kate (Hayden Panettiere) and the fun-seeking omega wolf Humphrey (Justin Long) find themselves attracted to one another, the pair resign themselves to a life apart, and Kate agrees to a match with alpha male Garth (Chris Carmack) from a rival pack in order to peacefully merge the two packs into one. But when Humphrey and Kate are tranquilized in their home in Jasper National Forest, Canada, and relocated to Sawtooth Forest far away in Idaho, the two discover that not only can opposites work very well together, but that neither of them can continue to ignore their attract! ion for the other. The question is, will working together, com! bined wi th a little help from a golf-playing goose and his duck caddy, be enough to get the pair all the way back to Jasper National Park before the rival wolf packs tear one another apart at the next full moon? And what will become of their relationship if they do return in time? This animated film is amusing and entertaining, if not particularly outstanding. A lot of the humor is pretty corny and the plot has been done many times before (think Open Season 2), but the characters are likable, the action is pretty good, and who can resist chuckling at images like a retired, golf-playing French-Canadian goose or the distractive powers of a good cupcake? (Ages 5 and older) --Tami Horiuchi

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Blue Q - I'm Savin' Up To Quit My Job! Tin Bank

• Revolutionary savings plan-just line up coin and drop it in
• Coin slot fits most coins
• Empties through bottom
• Brought to you by the ever-outrageous Jesus had a sister productions

"Brewer's writing is gritty and witty, tough on its characters but easy on the reader."-The Albuquerque Tribune

"Brewer's . . . pacing is among the best in the genre."-Arkansas Democrat-Gazette

An amateur crime spree takes a turn in the piney woods of far northern California in Bank Job, the latest fast-paced escapade from author Steve Brewer.

Jaded, rage-laden, and utterly stupid, brothers Leon and Junior Daggett and their homicidal partner, Roy Wade, entertain themselves by knocking over liquor stores and gas stations. When a run-of-the-mill robbery goes sour, they find themselves bloody and knocking on the door of a stranger for help. That stra! nger ends up being Vince Carson, retired bank robber.

Thinking they've discovered their big-time score, Leon and Roy take Vince's wife hostage, forcing him to rob the local bank in exchange for Maria's safe return. But Vince has other ideas. He sets out to prove that old age and treachery always triumph over youth and ineptitude.

Bank Job plays out like a movie-The Desperate Hours meets Raising Arizona. It's just the sort of hilarious mix readers expect from Brewer, author of the recent novels Boost and Bullets.

Steve Brewer spent 22 years in the newspaper business before turning to fiction full time in 1997. A weekly humor column he writes for The Albuquerque Tribune is distributed by Scripps Howard News Service. Steve serves on the board of directors of Mystery Writers of America.

If i get one more paper cut i'll slit my wrists! A revolutionary new way to save! Just line coin up with bank slot ! and release. What are you saving up for?

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