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Already a legendary performer in the music industry, Jewel has been writing poetry, short stories and prose since she was young, Now, in Chasing Down the Dawn, she takes her fans on a singular and very personal odyssey through her world. Readers will be enthralled by Jewel's journal entries, poetic essays, and stories as she explores beliefs, thoughts, ideas, and important turning points in her life. Illustrated throughout with candid never-before-seen photos of Jewel and her own photojournalism and drawings, this is an inspiring book and keepsake for all ages. Chosen the 1999 "Woman of the Year" by Glamour, the award-winning poet and songwriter also starred in her first movie RIDE WITH THE DEVIL, directed by Ang Lee (THE ICE STORM) in September 1999. In her short career, she has sold more than 17 mill! ion albums worldwide.
One of the most respected artists in popular music today, Jewel is much more than a music industry success with her debut album selling more than 10 million copies.
Before her gifted songwriting comes an even more individual art: Poetry.
Now available in paperback, A Night without Armor highlights the poetry of Jewel taken from her journals which are both intimate and inspiring, to be embraced and enjoyed.
Writing poems and keeping journals since childhood, Jewel has been searching for truth and meaning, turning to her words to record, to discover, and to reflect.
In A Night Without Armor, her first collection of poetry, Jewel explores the fire of first love, the lessons of betrayal, and the healing of intimacy. She delves into matters of the home, the comfort of family, the beauty of Alaska, and the dislocation of divorce.
Frank and honest, serious and suddenly playful, A Night Without Armor is a talented artist's intimate portrait of what makes us u! niquely human.
Jewel Kilcher was the first to admit that this book of 100 or so of her poems would not have been published if her dazzling debut album,
Pieces of You, hadn't sold 10 million copies. And granted, Jewel is not going to replace Deborah Garrison's
A Working Girl Can't Win on anybody's hit parade of serious poets who write for regular people.
But--shockingly!--Jewel's book of poetry is solid by celeb-poet standards, and a fair bit of it is actually sort of readable in its own right. Maybe it's not a bad idea to raise your kids on an 80-acre Alaskan farm with plenty of chores and no TV, as Mr. Kilcher did. Unlike most young people, let alone overnight stars, Jewel has led a life of some intrinsic interest. While they're often prosaically straightforward, her poems about rescuing a newborn calf in the midnight snow, listening to wolves howl in a canyon storm, and racing naked out of a sauna of a winter evening bring us more useful expe! rience than kid poets usually have to share. Some of Jewel's homesteading verse is no worse than some of Gary Snyder's late nature poems; though she'll never write nature poems remotely as good as his early work Riprap, neither will he, probably. Preachiness is the enemy of both poets' deep religious impulses.
Jewel's poems about dumping a lover or thrilling to parking-lot sex "between the moon and a Chevrolet" are perceptive, at points even evocative. Her ode to her own breasts as a nest for her beloved is no good, but it's an honest failure. Her dress at the Oscars was more embarrassing.
The music critics contend that Jewel's music is influenced by Joni Mitchell, though Jewel claims she didn't listen to her until lately. In comparing Joni Mitchell: The Complete Poems and Lyrics with Jewel's book, we find that both use the image of the cactus for a heart that resists a restricting embrace, but that Mitchell is cleverer with language.! When Joni's lover is away, "Me and them lonesome blues colli! de / The bed's too big, / The frying pan's too wide." Meanwhile, Jewel baldly observes, "I miss you miserably, dear / and I can't quite manage / to face this unbearably / large bed / alone."
On the other hand, Jewel does conclude with a nice image for toughing it out with a sentimental gesture--she shaves her armpits with his razor and cheap hotel soap. Ow! We feel her pain. Also, Jewel's "Underage" holds its own against Mitchell's "Raised on Robbery," while demonstrating the influence that probably outweighed Mitchell in Jewel's artistic development: her dad, with whom she played gigs as a child in Alaska.
I hung out once in the bathroom of Trade Winds Harley bar in Anchorage
With several biker chicks for company until the cops had left.
They had pale skin and thick black eye makeup
And they asked me to sing at their weddings.
I said I'd ask my dad. We all sat on the counter and waited for the pigs to leave.
Some guy! OD'd and was outside foaming at the mouth.
I remember looking in the mirror
And seeing this white face,
My shirt all buttoned up.
The women were nice to me
And looked like dark angels
Beside me. I liked them,
And together we waited
Patiently for the cops to leave
So I could go back out
And join my dad up
On stage.
The great peril for Jewel, as for most poets when very young, is artless sincerity. Her poem about her dad's Vietnam War trauma is dead sentiment, but she does far better in "Grimshaw," about a Vietvet who came to watch the Kilchers play, perpetually requesting "Ain't Goin' to Study War No More" and drinking four quarts of beer a night until the day he shot his face off. Which made little Jewel vow to deal with her own emotions sooner rather than too late.
Careless editing permitted Jewel to misspell the names of Tom Waits and Charles Bukowski and the word "peek." Most youn! g fans won't notice, and the very poems about love troubles t! hat olde r readers will find gratingly obvious will strike them as headline news to be taken to heart. --Tim AppeloShe has been called "one of the most richly idiomatic female pop singers of her generation" by Rolling Stone magazine. Translation: Jewel speaks to millions of fans of all ages through her award-winning music and bestselling poetry books.
Now, get to know this supertalented performer for the down-to-earth, savvy, and unpretentious person she is -- a dynamic young woman who, her friends all agree, is "too normal to be a rock star." Revealing Jewel pieces together a remarkable portrait, through the words of those who know her best: her family and close friends, her band, and her colleagues on the road, in the studio, and on the movie set -- including Moby, producer Arif Mardin, actor/director Billy Bob Thornton, Jewel's father, singer/ songwriter Atz Kilcher, and her mother and manager, Lenedra J. Carroll. This one-of-a-kind compilation gets up close and pe! rsonal on:
Jewel's childhood...the hard times...her rise to fame...paying her dues...the recording experience...the touring life...superstardom...artistic pursuits...her passions...her causes...her friendships...her love life...her personal style...her sharp wit and hard-won wisdom.
Also included are trivia questions, candid photos, and sidebars in Jewel's own words. Delve into Revealing Jewel and celebrate the heart and soul of an artist who constantly challenges our assumptions and defies our expectations.Multi-platinum singer-songwriter Jewel is partnering with Fisher-Price and Somerset Entertainment to debut her first-ever independent release, Lullaby. The 15-track album features 10 self-penned songs and a few standards including Twinkle Twinkle Little Star and Somewhere Over the Rainbow. The acoustic record is reminiscent of Jewel's twelve-time platinum album, Pieces of You.Shot over two performances on a summer night just before the launch of her ©¯Thi! s Way©˜ tour,"Live at Humphrey's By the Bay" is Jewel's firs! t ever L ive Concert DVD. Remixed and Mastered to Dolby Digital 5.1 Surround, DTS Surround and Dolby Stereo, "Live at Humphrey's By the Bay©˜ captures the true essence of this Multi-platinum singer/songwriter's decade long career. With album sales topping 25 million, "Live at Humphrey's By the Bay" includes all of Jewel©ˆs signature songs including Hands, Everything Breaks Sometime, and You Were Meant For Me and brings you a front row seat in an intimate setting by one of the greatest artists of our generation.Live at Humphrey's by the Bay is Jewel's first concert disc, and it's a solid success, a blend of signature material and hints of forward progress. Shot just before her 2002 "This Way" tour, the program begins with a startling reminder of Jewel's beautiful pipes on the a cappella "Per La Gloria D'Adorarvi." That protean voice slides gracefully into her whispery and carnal octave-jumper, "Near You Always," adopts a witty, talking blues attitude on "Sometimes It Be T! hat Way," and paints in nocturnal hues for "Grey Matter." Jewel is solo for most of the set, contributing to the sometimes airless feel of her prolific broken-love songs. But "The New Wild West" is an imagistic, extroverted wonder, and "Everybody Needs Someone Sometime" is sassy and shimmering. --Tom KeoghA live performance of a modern classic in a concert setting.Jewel Kilcher: At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will! gladly refund your money!
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