Disney Gnomeo & Juliet Complete Set Garden Gnome 12" Figure Plush Doll

• Disney's Gnomeo & Juliet 12" Complete Figure Plush Set
• Brand New
• Limited Quantity

From a director of Shrek 2 comes your chance to step into the secret world of garden gnomes - Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world's most timeless story features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingoes and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!It's the age-old story of forbidden love between feuding families, but Shakespeare's classic traged! y Romeo and Juliet becomes quite a comedy when the young lovers in question are different-colored gnomes from backyards on opposite sides of a tall wooden fence. Lured out of their respective gardens by wanderlust and an exotic orchid, Gnomeo (James McAvoy) and Juliet (Emily Blunt) meet and instantly fall in love. Their forbidden love blossoms with a little help from a plastic pink flamingo named Featherstone (Jim Cummings), and soon life-threatening lawnmower races ensue, an epic battle is staged, and wisteria trees and gnome hats are hacked to bits in the process. Shakespeare himself (Patrick Stewart) makes an appearance and declares that, while this story bears a marked resemblance to one of his own, he's not sure it will end in quite the same way. Shakespunian nuggets of wisdom include "A weed is by any other name, still a weed," and that fairness demands "a hat for a hat," and of course the philosophical question "What's in a gnome?" just has to be asked. Execut! ive producer Elton John's penchant for over-the-top showmanshi! p finds a perfect home in the gnomes' elaborate backyard sets, and his musical score is an effective blend of classic and original songs, including a new collaboration with Lady Gaga called "Hello, Hello." Other legendary musicians lending their talents to the voice cast include Dolly Parton and Ozzy Osbourne. This film is funny, engaging, and, with the possible exception of one particularly scantily clad gnome, appropriate for the whole family. (Ages 5 and older) --Tami HoriuchiFrom a director of Shrek 2 comes your chance to step into the secret world of garden gnomes - Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world's most timeless story features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingoes and epic lawnmower races, can this ! young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!It's the age-old story of forbidden love between feuding families, but Shakespeare's classic tragedy Romeo and Juliet becomes quite a comedy when the young lovers in question are different-colored gnomes from backyards on opposite sides of a tall wooden fence. Lured out of their respective gardens by wanderlust and an exotic orchid, Gnomeo (James McAvoy) and Juliet (Emily Blunt) meet and instantly fall in love. Their forbidden love blossoms with a little help from a plastic pink flamingo named Featherstone (Jim Cummings), and soon life-threatening lawnmower races ensue, an epic battle is staged, and wisteria trees and gnome hats are hacked to bits in the process. Shakespeare himself (Patrick Stewart) makes an appearance and declares that, while this story bears a marke! d resemblance to one of his own, he's not sure it will end in ! quite th e same way. Shakespunian nuggets of wisdom include "A weed is by any other name, still a weed," and that fairness demands "a hat for a hat," and of course the philosophical question "What's in a gnome?" just has to be asked. Executive producer Elton John's penchant for over-the-top showmanship finds a perfect home in the gnomes' elaborate backyard sets, and his musical score is an effective blend of classic and original songs, including a new collaboration with Lady Gaga called "Hello, Hello." Other legendary musicians lending their talents to the voice cast include Dolly Parton and Ozzy Osbourne. This film is funny, engaging, and, with the possible exception of one particularly scantily clad gnome, appropriate for the whole family. (Ages 5 and older) --Tami HoriuchiFrom a director of Shrek 2 comes your chance to step into the secret world of garden gnomes - Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world's most timele! ss story features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingoes and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!It's the age-old story of forbidden love between feuding families, but Shakespeare's classic tragedy Romeo and Juliet becomes quite a comedy when the young lovers in question are different-colored gnomes from backyards on opposite sides of a tall wooden fence. Lured out of their respective gardens by wanderlust and an exotic orchid, Gnomeo (James McAvoy) and Juliet (Emily Blunt) meet and instantly fall in love. Their forbidden love blossoms with a little help from a plastic! pink flamingo named Featherstone (Jim Cummings), and soon lif! e-threat ening lawnmower races ensue, an epic battle is staged, and wisteria trees and gnome hats are hacked to bits in the process. Shakespeare himself (Patrick Stewart) makes an appearance and declares that, while this story bears a marked resemblance to one of his own, he's not sure it will end in quite the same way. Shakespunian nuggets of wisdom include "A weed is by any other name, still a weed," and that fairness demands "a hat for a hat," and of course the philosophical question "What's in a gnome?" just has to be asked. Executive producer Elton John's penchant for over-the-top showmanship finds a perfect home in the gnomes' elaborate backyard sets, and his musical score is an effective blend of classic and original songs, including a new collaboration with Lady Gaga called "Hello, Hello." Other legendary musicians lending their talents to the voice cast include Dolly Parton and Ozzy Osbourne. This film is funny, engaging, and, with the possible exception of one particularly ! scantily clad gnome, appropriate for the whole family. (Ages 5 and older) --Tami HoriuchiBrand New Ships Within 24 - 48 Hours

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Grand Theft Parsons : Widescreen Edition

• widescreen

Johnny Knoxville (Jackass: The Movie, Walking Tall) shows off star power in his firstleading role as the hard-drinking, motorcycle-riding rock 'n' roll manager Phil Kaufman. When legendary singer Gram Parsons dies, Kaufman steals the body to keep his promise to make Joshua Tree Gram's final resting place. Chased by the cops, Gram's father and Gram's psycho ex-girlfriend, Betty (Christina Applegate), Kaufman embarks on a darkly comic adventure deep into the desert. Based on a truestory, this reckless road movie exceeds all limits.Johnny Knoxville (Jackass: The Movie, Walking Tall) shows off star power in his first leading role as the hard-drinking, motorcycle-riding rock 'n' roll manager Phil Kaufman. When legendary singer Gram Parsons dies, Kaufman steals the body to keep his promise to make Joshua Tree Gram's final resting place. Chased by the cops, Gram's father and Gram's psyc! ho ex-girlfriend, Betty (Christina Applegate), Kaufman embarks on a darkly comic adventure deep into the desert. Based on a true story, this reckless road movie exceeds all limits.Johnny Knoxville (Jackass: The Movie, Walking Tall) shows off star power in his firstleading role as the hard-drinking, motorcycle-riding rock 'n' roll manager Phil Kaufman. When legendary singer Gram Parsons dies, Kaufman steals the body to keep his promise to make Joshua Tree Gram's final resting place. Chased by the cops, Gram's father and Gram's psycho ex-girlfriend, Betty (Christina Applegate), Kaufman embarks on a darkly comic adventure deep into the desert. Based on a truestory, this reckless road movie exceeds all limits.dvd

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Gazillion Bubble Machine

• The original Gazillion bubble machine makes 500 bubbles per minute!
• Features the one and only Gazillion Solution!
• Great machine for a birthday party!
• Special Gazillion bubble formula is a one of a kind great bubble solution.
• Gazillion Bubbles- the world's Best Bubble Solution.

Ready to make billions of bubbles' It's easy with the Gazillion Bubble Machine. Fill it up, flip the switch and watch as gazillion amounts of bubbles continuously blow from the Bubble Machine. Requires 6 "AA" batteries, not included. Measures 8" x 7".

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Catch Me If You Can: The True Story of a Real Fake

• ISBN13: 9780767905381
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

An FBI agent (Hanks) tracks down and catches a young con artist (DiCaprio) who successfully impersonated an airline pilot, doctor, assistant attorney general and history professor, cashing more than $2.5 million in fraudulent checks in 26 countries.An enormously entertaining (if somewhat shallow) affair from blockbuster director Steven Spielberg. Leonardo DiCaprio stars as Frank Abagnale, Jr., a dazzling young con man who spent four years impersonating an airline pilot, a doctor, and a lawyer--all before he turned 21. All the while he's pursued by a dedicated FBI agent named Carl Hanratty (Tom Hanks), whose dogged determination stays one step behind Abagnale's spontaneous wits. Both DiCaprio! and Hanks turn in enjoyable performances and the movie has a bouncy rhythm that keeps it zipping along. However, it never gets under the surface of Frank's drive to lose himself in other identities, other than a simplistic desire to please his father (Christopher Walken, excellent as always), nor does it explore the complex mechanics of fraud with any depth. By the movie's end, it feels like one of Frank's pilot uniforms--appearance without substance. --Bret FetzerBased on the true story of frank abagnale jr. a successful con artist who managed to pass himself off as several identities and the fbi agent hot on his trail. Studio: Paramount Home Video Release Date: 05/01/2007 Starring: Leonardo Dicaprio Christopher Walken Run time: 141 minutes Rating: Pg13 Director: Steven SpielbergAn enormously entertaining (if somewhat shallow) affair from blockbuster director Steven Spielberg. Leonardo DiCaprio stars as Frank Abagnale, Jr., a dazzling young! con man who spent four years impersonating an airline pilot,! a doct or, and a lawyer--all before he turned 21. All the while he's pursued by a dedicated FBI agent named Carl Hanratty (Tom Hanks), whose dogged determination stays one step behind Abagnale's spontaneous wits. Both DiCaprio and Hanks turn in enjoyable performances and the movie has a bouncy rhythm that keeps it zipping along. However, it never gets under the surface of Frank's drive to lose himself in other identities, other than a simplistic desire to please his father (Christopher Walken, excellent as always), nor does it explore the complex mechanics of fraud with any depth. By the movie's end, it feels like one of Frank's pilot uniforms--appearance without substance. --Bret FetzerFrank W. Abagnale, alias Frank Williams, Robert Conrad, Frank Adams, and Robert Monjo, was one of the most daring con men, forgers, imposters, and escape artists in history.  In his brief but notorious criminal career, Abagnale donned a pilot's uniform and copiloted a Pa! n Am jet, masqueraded as the supervising resident of a hospital, practiced law without a license, passed himself off as a college sociology professor, and cashed over $2.5 million in forged checks, all before he was twenty-one. Known by the police of twenty-six foreign countries and all fifty states as "The Skywayman," Abagnale lived a sumptuous life on the lam-until the law caught up with him.  Now recognized as the nation's leading authority on financial foul play, Abagnale is a charming rogue whose hilarious, stranger-than-fiction international escapades, and ingenious escapes-including one from an airplane-make Catch Me If You Can an irresistible tale of deceit.

The uproarious, bestselling true story of the world's most sought-after con man currently in development as a DreamWorks feature film.

"I stole every nickel and blew it on fine threads, luxurious lodgings, fantastic foxes, and other sensual goodies.  I partied in every capital in ! Europe and basked on all the world's most famous beaches."When! this tr ue-crime story first appeared in 1980, it made the New York Times bestseller list within weeks. Two decades later, it's being rereleased in conjunction with a film version produced by DreamWorks. In the space of five years, Frank Abagnale passed $2.5 million in fraudulent checks in every state and 26 foreign countries. He did it by pioneering implausible and brazen scams, such as impersonating a Pan Am pilot (puddle jumping around the world in the cockpit, even taking over the controls). He also played the role of a pediatrician and faked his way into the position of temporary resident supervisor at a hospital in Georgia. Posing as a lawyer, he conned his way into a position in a state attorney general's office, and he taught a semester of college-level sociology with a purloined degree from Columbia University.

The kicker is, he was actually a teenage high school dropout. Now an authority on counterfeiting and secure documents, Abagnale tells of his years of i! mpersonations, swindles, and felonies with humor and the kind of confidence that enabled him to pull off his poseur performances. "Modesty is not one of my virtues. At the time, virtue was not one of my virtues," he writes. In fact, he did it all for his overactive libido--he needed money and status to woo the girls. He also loved a challenge and the ego boost that came with playing important men. What's not disclosed in this highly engaging tale is that Abagnale was released from prison after five years on the condition that he help the government write fraud-prevention programs. So, if you're planning to pick up some tips from this highly detailed manifesto on paperhanging, be warned: this master has already foiled you. --Lesley Reed

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Billy's Hollywood Screen Kiss 15x21 Framed Art Print

• High quality framed art print
• Two inch wide black wood frame
• In stock and ready to frame and ship
• Custom packed for safe delivery
• Satisfaction Guaranteed

BILLY'S HOLLYWOOD SCREEN KISS - DVD MovieFirst-time director Tommy O'Haver garnered a lot of critical acclaim for this contribution to the "new queer cinema." But he seems more clued in as to its weight than the reviewers. O'Haver rightly calls Billy's Hollywood Screen Kiss a Tommy O'Haver "trifle" in the credits and he's on the money in estimating what his film is worth. For sure, the movie has much going for it; it's wholeheartedly enjoyable and packed with the usual dynamic that saturates most gay-themed films: what does one do when that object of desire is heterosexual? In this case O'Haver at least gives his protagonist, Billy, played by Sean P. Hayes, another obsession besides the Brad Pitt-lo! okalike, prophetically named Gabriel, who is enigmatically acted by Brad Rowe. This is because Billy is a photographer, as addicted to finding the perfect picture as the perfect man. His world is formed by old movies: From Here to Eternity and Imitation of Life are his criteria and the flirty foreplay by which to gauge whether or not a love will have stamina and staying power. Of course, Billy is bound to be disappointed by gay-friendly Gabriel, who is struggling in his own way as much as Billy. Full of the usual mix of second-string players who inhabit the gay milieu (e.g., the best female friend who has man trouble of her own, and the older, secure pal who has secretly held Billy in his sights for some time), O'Haver's film breaks the mold by keeping to a dark note. It resembles a Pedro Almodovar spectacle initially with its saturated look and primary-color palette. But three-fourths through, Billy and his gang walk into the contemporary gay equivalent of a ! Gidget movie. The shift is surprising and even sometime! s funny. Billy's Hollywood Screen Kiss has a lot going for it, but it's still just a trifle, and not a milestone in the genre. --Paula NechakFirst-time director Tommy O'Haver garnered a lot of critical acclaim for this contribution to the "new queer cinema." But he seems more clued in as to its weight than the reviewers. O'Haver rightly calls Billy's Hollywood Screen Kiss a Tommy O'Haver "trifle" in the credits and he's on the money in estimating what his film is worth. For sure, the movie has much going for it; it's wholeheartedly enjoyable and packed with the usual dynamic that saturates most gay-themed films: what does one do when that object of desire is heterosexual? In this case O'Haver at least gives his protagonist, Billy, played by Sean P. Hayes, another obsession besides the Brad Pitt-lookalike, prophetically named Gabriel, who is enigmatically acted by Brad Rowe. This is because Billy is a photographer, as addicted to finding the perfect picture as th! e perfect man. His world is formed by old movies: From Here to Eternity and Imitation of Life are his criteria and the flirty foreplay by which to gauge whether or not a love will have stamina and staying power. Of course, Billy is bound to be disappointed by gay-friendly Gabriel, who is struggling in his own way as much as Billy. Full of the usual mix of second-string players who inhabit the gay milieu (e.g., the best female friend who has man trouble of her own, and the older, secure pal who has secretly held Billy in his sights for some time), O'Haver's film breaks the mold by keeping to a dark note. It resembles a Pedro Almodovar spectacle initially with its saturated look and primary-color palette. But three-fourths through, Billy and his gang walk into the contemporary gay equivalent of a Gidget movie. The shift is surprising and even sometimes funny. Billy's Hollywood Screen Kiss has a lot going for it, but it's still just a trifle, and n! ot a milestone in the genre. --Paula Nechak

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Dodgeball - A True Underdog Story (Full Screen Edition)

• brings a lot of laughs

Studio: Tcfhe Release Date: 12/09/2008 Run time: 92 minutes Rating: Pg13How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo G! ym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleur (Vaughn) and his Average Joes take on the Purple Cobras, led by egomaniacal fitness guru, White Goodman (Stiller). It's an over-! the-top underdog tale filled with hilarious sight gags and bal! ls-out f un!How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughn) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughn and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughn, Stiller, and their well-cast costars (including S! tiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleur (Vaughn) and his Average Joes take on the Purple Cobras, led by egomaniacal fitness guru, White Goodman (Stiller). It's an over-the-top underdog tale filled with hilarious sight gags and balls-out fun!How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend c! ompetition, and 29-year-old writer-director Rawson Marshall Th! urber ac ed Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Han! k Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff ShannonYou'll dodge, duck, dip, dive. . . and laugh out loud watching Vince Vaughn and Ben Stiller settle their differences in a winner-take-all dodgeball competition. Under the painful tutelage of legendary ADAA champ, Patches O'Houlihan (Rip Torn), Peter LaFleHow's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp i! n which the underdog owner of Average Joe's Gym (Vince Vaughan! ) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff Shannon

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Black & White 2

• Wage massive wars, sieges and battles or use your skill and power to keep the peace
• Discover and use new Epic Miracles, including the ground-ripping Earthquake and volcanoes, which cause rivers of lava
• Choose and customize the Creature that's right for you from a selection, including old favorites such as the Ape, Cow, and Lion
• Research and create new forms of weaponry, from swords to bows to siege machines
• Create and control settlements that include housing, farming, and many other buildings like fountains and lush gardens (if you're Good) or spikes and torture pits (if you're Evil)

Black and white décor is at once dramatic and understated, modern and classic, apparent in the work of iconic designers such as Dorothy Draper and Madeleine Castaing but just as present in design today. And the inspiration is all around usâ€"from nature (a zebra’s stripes, tree ! trunks rising from drifts of snow) to old Hollywood movies and fashion to black-and-white photography and patterns we encounter in our everyday lives (crossword puzzles and the pages of our favorite novels). 

In Black and White (and a Bit in Between), acclaimed interior designer Celerie Kemble trades in her signature vivid palette for this iconic aesthetic, highlighting the black and white work of design stars and peers, including Bunny Williams, Thomas O’Brien, Mary McDonald, Victoria Hagan, Mark Hampton, Delphine Krakoff, Brad Ford, Philip Gorrivan, Carrier and Co., and Miles Redd, and welcoming you into more than 100 spaces in every imaginable aesthetic. Woven throughout are her witty observations and expert advice on choosing the best paints and finishes, adding patterns and accessories, building an entire room scheme based on inspiration found in nature, collecting black and white objects, and even choosing the perfect accent colors. 

With more! than 350 gorgeous color photographs, this is a vividly photog! raphed c elebration of a timeless scheme, infused with inspirational tips, glimpses into showstopping homes, and proof that a limited palette is anything but.

play good, play bad, play god



The sequel to the critically acclaimed hit Black & White.  

In thisstrategy game, you reprise your role as a powerful deity in search of a following and return to the once idyllic world of Eden, where the discovery of weaponry and warfare has tainted the beautiful landscape.  With the help of your giganticCreature that you raise from infancy, you must earn the respect and worship of the natives.  How you choose to do that,, whether through nurturing them or terrorizing them is up to you.

Once there were many gods - all depending on theworship of humans to survive.  As their following increased, they grew in strength, and as their battle for control intensified, destruction ! became second nature to the people of Eden.  This was chronicled in the past and has since passedinto legend. But after the devastation came peace.  Without hardship, people stopped needing gods and the gods simply disappeared.  And without gods, life continued.

While you've slumbered, the path to evil has become even moreenticing.  Warriors have been born, ever more fearsome weaponry has been developed, and the once idyllic land of Eden is teetering on the brink.  The Greek people - your people - form the final barrier to total Aztec domination. Now a simple,desperate prayer has brought you back and you must follow your conscience once more.  Will you establish secure and majestic environments that will become the envy of peoples across the land or will your cities become evil citadels of aggressionwith the sole purpose of supporting your war machine?  Will you devote all your powers to enriching your people's lives or will you watch as they ma! rch to their deaths?  This time it really matters,

!
< b>New Features

• Wage massive w

  Will you be an evil or benevolent deity?

  That's the choice you must make upon returning to a warring land in Black & White 2. Like its wildly successful predecessor, Black & White, the sequel is all about moral choices.

  The land, however, has transformed itself. The inhabitants of this breathtaking 3D world have lost their innocence and developed new weapons and technology. As you enter this warring world, will you make tribes coexist peacefully; encouraging villages and towns to grow into sprawling metropolises, or prompt them to inflict their will upon others by, creating and commanding large armies that seek to dominate and conquer?

  Creatures in the game have grown too. They can learn strategies, master new abilities and skills, lead armies into battle and be your ultimate unit. Black & White 2 includes other new elements, such as improved graphics and miracle effects such as ri! vers of fire and earthquakes that yield massive destruction.

  Every choice you make will have an impact. Each action and inactions prompts obvious changes to buildings, flora and fauna, all morphing to reflect your personality.

  
  

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Garfield: A Tail of Two Kitties PREMIUM GRADE Rolled CANVAS Art Print Unknown 11x17

• Title: Garfield: A Tail of Two Kitties
• Artist: Unknown
• Canvas
• Image Size: 8.95in. x 16.10in.
• Paper Size: 11.00in. x 17.00in.

America's favorite fat cat is back, and this time, he's giving England the royal treatment! It's a British invasion of a different kind when Garfield, along with pals Jon and Odie, travels to London and meets his mirror-image in Prince, an aristocratic kitty who has inherited a fabulous castle. The two trade places, and soon Garfield is living large as only he can! There's just one problem: the dastardly Lord Dargis wants him out of the picture. A Tail of Two Kitties is twice the laughs and double the fun for the whole family... It's good to be the king!An impressive cast gives an unexpected boost to Garfield: A Tail of Two Kitties, the sequel to the first film starring the comic strip cat turned CGI feline. Once again voiced by Bi! ll Murray (whose ever-eclectic career ranges from Meatballs to Lost in Translation), Garfield stows away in the luggage of his owner, Jon (Breckin Meyer, Clueless), as Jon travels to London to propose to his veterinarian girlfriend, Liz (Jennifer Love Hewitt, Ghost Whisperer). It just so happens that in England, a cat named Prince (voiced by Tim Curry) has just inherited a castle--much to the dismay of Lord Dargis (Billy Connolly, Mrs. Brown), who plots to get rid of Prince and all the other animals who inhabit the castle so that he can build condominiums on the property. Naturally, paths cross, identities get switched, and a barnyard of very British beasts find themselves dependent on the eternally lazy Garfield to keep their home safe from Dargis' predations. A Tail of Two Kitties is cheerful and short; nothing about it is very inspired, but it's certainly better than the first film and the technical effects are impeccable. Additi! onal voice work by Bob Hoskins, Jane Horrocks, Rhys Ifans, Vin! nie Jone s, and others make everything seem just a little bit classier, as does the presence of Roger Rees (from the RSC Nicholas Nickleby) and Lucy Davis (from the original version of The Office). --Bret Fetzer

Everyone's favorite fat cat is back---and this time, he's king!

A case of mistaken identity leads to some wacky feline follies when Garfield goes to England. Before you can say "lasagna," Garfield's managed to lose Odie and Jon, get mixed up with a prince, and find himself living it up at the kitty cat king of Carlyle Castle.

The royal life would be perfect, if it weren't for the deranged Lord Dargis--who will stop at nothing to inherit the castle. But Garfield and his new farmyard friends have a few plans to stop him.

Features include:

•MPAA Rating: PG
•Format: DVD
Garfield: A Tail of Two Kitties DSBron: Wikipedia. Pagina's: 34. Hoofdstukken: Lijst van personages uit Garfield, Garfield and Frien! ds, Jon Arbuckle, U.S. Acres, Garfield: A Tail of Two Kitties, Odie, Garfield: Caught in the Act, Gnorm Gnat, Jim Davis, Am I Cool or What?, Garfield Gets Real, Garfield Minus Garfield, Garfield: His 9 Lives, The Garfield Show, Garfield's Fun Fest, Garfield's Mad About Cats, Garfield's Halloween Adventure, Garfield: The Search for Pooky, Garfield's Nightmare, Garfield: A Week of Garfield, Garfield's Pet Force, Garfield in Paradise, Garfield: Saving Arlene, Garfield & His Nine Lives, Garfield's Thanksgiving, Garfield Bound for Home, A Garfield Christmas, Garfield on the Town, Garfield in the Rough, Garfield Goes Hollywood, Here Comes Garfield, Garfield: Big Fat Hairy Deal, Garfield: A Winter's Tail, Garfield Gets a Life, Create With Garfield, Garfield's Babes and Bullets, Garfield Labyrinth, Garfield's Feline Fantasies. Uittreksel: Garfield is een strip gecreëerd door Jim Davis met in de hoofdrol de gelijknamige kat Garfield, zijn baasje Jon en de hond Odie. In Nederland ve! rschijnt de strip dagelijks in de Telegraaf en in Vlaanderen i! n De Sta ndaard en Het Nieuwsblad. De strip bestaat uit 3 plaatjes en de zondagstrip is meestal 6 - 7 plaatjes. Garfield is een wereldwijd bekende strip. Momenteel staat de strip zelfs in het Guinness Book of Records als meest verspreide strip ter wereld. Het succes leidde tot de creatie van een televisieserie, verschillende animatiespecials, een reeks videospellen, twee live-action films en een hoop merchandising. Toen striptekenaar Jim Davis graag een strip wilde verkopen aan een landelijke stripmagnaat probeerde hij eerst uit te vinden wat voor soort strips aansloegen bij het grote publiek. Dit omdat zijn vorige strip, Gnorm Gnat, niet goed genoeg was voor landelijke verspreiding. Het viel Jim Davis op dat er geen strips waren met katten in de hoofdrol. Jim begon hierop met het maken van schetsen van katten gebaseerd op herinneringen a...This software is BRAND NEW. Packaging may differ slightly from the stock photo above. Please click on our logo above to see over 15,000 titles in! stock.Title: Garfield: A Tail of Two Kitties. Artist: Unknown. Image Size: 8.95in. x 16.10in. Paper Size: 11.00in. x 17.00in. PREMIUM GRADE Rolled CANVAS Art Print

This is an unstretched canvas print which will be rolled and securely shipped in a sturdy tube. All canvas prints should be cared for to avoid exposure to dust, grime or finger grease in handling.

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Brooklyn's Finest

• BROOKLYN'S FINEST (DVD MOVIE)

Something of a genre homecoming, Antoine Fuqua's latest film once again finds him delving into the gritty, brutal realm of cops and crooksâ€"as he did in Training Day. Tango is an undercover officer on a narcotics detail that forces him to choose between duty and friendship. Having been to hell and back, he wants out, but the powers that be won't let him quit. Family-man Sal is a detective tempted by greed and corruption. He can barely make ends meet, and now his wife has an illness that threatens the life of their unborn twins. Eddie is nearing retirement age and has long since lost his dedication to his job as a cop. He wakes up every morning trying to come up with a reason to go on living...and he can't think of one. Fate brings the three men to the same Brooklyn housing project as each takes the law into his own hands. Crosscutting between multiple s! ubplots, Brooklyn's Finest unfolds violently and passionately as coiled, constantly roving cinematography contributes a measure of unease to the underworld action.Fans of the grit of HBO's The Wire, as well as of the mean-streets story intersection plot of Crash, will find a lot to like in the intense crime drama Brooklyn's Finest. Directed by Antoine Fuqua (Training Day) with a sure hand, Brooklyn's Finest follows three NYPD cops who come from very different places (geographically and personally) as their lives, and the compromises they have made daily to coexist with the mean streets of Brooklyn, dovetail to a climax that will have viewers on the edge of their seats. Fuqua has assembled a stellar cast here, including Richard Gere, a veteran cop just a week from retirement; the always amazing Don Cheadle, an undercover officer whose loyalties to the force may be compromised by his growing loyalties to the groups he's in! filtrating; and the film's true revelation, Ethan Hawke, a you! ng corru pt cop whose morals make the stomach turn, though Hawke's performance is nuanced and riveting. Supporting cast members include Wesley Snipes as a badass gangster whom even the police have second thoughts about messing with. Other great performances are turned in by Vincent D'Onofrio, whose wooden delivery works here to make his character all the more menacing; Lili Taylor; and a ravishing, world-weary Ellen Barkin. The action is propelled along by the great performances, the excellent cinematography, Fuqua's deft direction, and the moody score by Brazilian composer Marcelo Zarvos. If the plot is a little far-fetched, even for a crime drama, the stellar performances more than make up for it, making Brooklyn's Finest one of Fuqua's, and certainly Hawke's, finest.

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