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Will the quirky street performer with a free spirit and a heart of pure gold. The object of wills lifelong affection is emmathe beautiful young actress whom he has never stopped loving since they were childhood sweethearts. But when they reunite and will gets swept up in emmas complicated past? Studio: Tcfhe Release Date: 05/03/2011 Starring: Rachel Bilson Tom Sturridge Run time: 99 minutes Rating: Pg13
Waiting for Forever is a film that's unlikely to elicit many neutral opinions; chances are you'll find it either cute 'n' quirky or cloying and annoying. At the center of this 2010 rom-com is the relationship between Will Donner (Tom Sturridge) and Emma Twist (Rachel Bilson). Friends since childhood, when she provided him with comfort and companionship following the traumatic ! death of his parents in a train crash, they've long since gone their separate ways--or so she thinks. Turns out that while Emma has been pursuing a career as an actress, Will has turned into a kind of peripatetic Peter Pan, only without the flying chops. A jobless (he earns spare change as a street juggler) dreamer and hopeless romantic who steadfastly refuses to engage with life's quotidian realities, he's been following Emma from place to place, a sort of benign stalker who has never had the nerve to approach or talk to her, preferring to hang back and worship her from afar. That changes when Emma returns to their Pennsylvania hometown, where her father (the reliable Richard Jenkins) is seriously ill and her ditzy mom (Bythe Danner) needs support. Encouraged by his well-adjusted banker brother (Scott Mechlowicz) and other friends, Will at last approaches her and confesses all. Complications ensue--including a credibility-defying, out-of-nowhere subplot involving Emma's L.! A. boyfriend and an accidental homicide--but they do little to! keep th is tale from ending exactly as we expect it to. The only question involves whether you'll see "Willie" as a charming lost puppy who's never gotten over his parents' death and could use a hug, or as an infuriating ne'er-do-well who needs some sense slapped into him. The indie nu-folk music on the soundtrack leaves little doubt about where director James Keach and writer Steve Adams's sentiments lie.
--Sam Graham"The Last Kiss" is a hip romantic comedy about life, love, infidelity, forgiveness, marriage, friendship… and coming to grips with turning 30.A remake of the Italian film
L'Ultimo Bacio,
The Last Kiss was largely ignored in theaters despite its Gen-X themes and appeal of star Zach Braff (
Scrubs), who last made a splash in theaters with his similar twentysomething angst film
Garden State. A drama about midlife crises (mostly for people approaching 30, that is), director Tony Goldwyn (
A Walk on the Moon) has assembled a top-not! ch cast, but there's not enough likeability in the characters to care. Architect Michael (Zach Braff) is a commitmentphobe who wanders into a flirtation with coed Kim (Rachel Bilson) because he's gun-shy about settling down with his perfect girlfriend Jenna (Jacinda Barrett), who's expecting his child. His fellow pals face their own romantic crossroads; one (Michael Weston) desires to settle down with a woman who doesn't love him back; another (Eric Christian Olsen) can't find someone who just wants a meaningless fling like him; and the third (Casey Affleck), ponders leaving his weary wife who's constantly berating his shortcomings as a father. Most depressing is Jenna's mother (Blythe Danner), who's tired of feeling neglected by her stoic husband (Tom Wilkinson). Danner and Wilkinson are compelling as longtime marrieds who've lost their spark, but Braff's character is wholly unlikeable, even aside from his indiscretions. The bright spot is Bilson, in her first movie role, ! utterly adorable as the sexy college student who's got more pa! rts vuln erability and sass than any stuck in the Other Woman role. There's some fine acting in
The Last Kiss, but not enough character development to care about anything they're going through.
The DVD includes a commentary featuring cast members Braff, Barrett, Olsen, Bilson, and director Goldwyn, who all mainly hoot during Olsen's sex scenes and ogle Bilson's seductive dancing. Braff and Goldwyn also imitate Bilson's high-pitched speedchatter throughout, while Barrett educates the cast on the similarities between "the dingo ate my baby" and the O.J. Simpson case (don't ask). It's all the more entertaining compared to a separate commentary track with just Goldwyn and Braff, who mostly drones about the music he picked for the film (Remy Zero, Snow Patrol, Aimee Mann) and raves about the minimalist score, done by singer Michael Penn. And oh, they ogle Bilson's dancing in this one too. -- Ellen A. KimDavid is a Jumper who can teleport himself anywhere in the world, ! which creates a fun and exciting life. But things turn deadly when David finds himself pursued by a secret organization sworn to kill Jumpers. Forming an uneasy alliance with another Jumper he becomes a player in a war that has been raging for thousands of years.As preposterous action movies go, Jumper is pleasantly unpretentious and breezily entertaining. A young man named David (Hayden Christensen) discovers he has the power to teleport (or "jump") anywhere he can visualize. After using this power to steal and make a comfortable life for himself, he pursues the girl he longed for in school (Rachel Bilson, The O. C.). But as he does so, another jumper (Jamie Bell, Billy Elliot) and a pack of fanatical jumper-hunters called paladins (led by a white-haired Samuel L. Jackson) crashes into David's freewheeling life. Jumper wastes no time trying to explain how jumping works or delving into the hows and whys of the paladins; this is an alluring fantas! y of power directed at a pell-mell pace by Doug Liman (The ! Bourne I dentity, Mr. and Mrs. Smith, Go). There's a brief moment when it feels like the movie will bog down in romance and vague gestures towards character development--happily, that's the moment when Bell appears and the whole movie shifts into overdrive. You might wish that Bell and Christensen had swapped roles; Bell has a far more engaging personality, and Christensen's bland good looks might better suit a more aggressive character. Nonetheless, Jumper has oodles of dynamism and nifty visual effects to propel its comic-book storyline forward. A variety of recognizable actors in bit parts (such as Diane Lane and Kristen Stewart, Panic Room) suggest that the filmmakers are laying the groundwork for sequels. Based on a critically-acclaimed science-fiction novel by Steven Gould. --Bret Fetzer
Beyond Jumper
More from Steven Gould | 
The Jumper Soundtrack | 
More from Fox |
Stills from Jumper New, Never opened. Cover has small damage on lower left corner, but rest and pages of magazine are in excellent NEW condition. I will ship using covered, protective packaging and a tracking number. Will ship within one day.AN ANTHOLOGY FILM JOINING SEVERAL LOVE STORIES SET IN ONE OF THE MOST LOVED CITIES OF THE WORLD, NEW YORK
New York, I Love You feels as patchy as its experimental premise. Riffing on
Paris, je t'aime, this film comprises several segments seeking to reflect the Big Apple's diversity and unlikely relationships forged through it. Ten directors had two days to shoot and one week to edit individual segments that are linked by transitions. As a result,! the film has a haphazard visual aesthetic, which works to various degrees. The best segments are those that show odd characters navigating the city in unique ways. The first sequence, shot by Mira Nair, features Rifka (Natalie Portman), a Hassid buying her wedding jewels from Jain gem dealer Mansuhkhbai (Irrfan Khan). While these two at first antagonize one another, the common ground they discover is a source of great comedy. Joshua Marston's segment featuring Mitzie (Cloris Leachman) and Abe (Eli Wallach), an elderly Jewish couple squabbling their way down the street, is both endearing and a tribute to a familiar scenario. Another segment that successfully depicts New York life is director Brett Ratner's, in which a nosy pharmacist, played by James Caan, recruits a trustworthy high school student (Anton Yelchin) to take his wheelchair-bound daughter (Olivia Thirlby) to the prom. Other segments feel completely random. Shekhar Kapur's mysterious piece about a concert pianis! t, Isabelle (Julie Christie), and her rendezvous with waiter J! acob (Sh ia LaBeouf), is melodramatic and doesn't channel New York enough to be apparent. Overall,
New York, I Love You feels like a washed-out Woody Allen attempt in terms of clever dialogue, though each viewer may find favorite sequences in those few humorous or touching moments when the film does succeed. --
Trinie Dalton
9:05 AM
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