Brooklyn Rules

• TESTED

A gripping tale of three life-long friends struggling with relationships, responsibility and loyalty on the mean streets of 1980 s-era Brooklyn, NY. When the violent influence of the mafia becomes a factor in their friendship, lives will be threatened as the fond memories of the past begin to give way to a potentially grim future.

Produced and directed by Michael Corrente (Outside Providence, American Buffalo) and written by Emmy Award Winning writer Terence Winter (The Sopranos)If Brooklyn Rules, a tale about a trio of good fellas making their way through the mean streets of that New York borough, just happens to remind you of the work of Martin Scorsese, you're not the only one. But even if it's not the most original film in cinematic history, director Michael Corrente's 2007 effort is entertaining enough to hold one's attention for most of its 99 minute running time! . Michael (Freddie Prinze Jr., who also supplies the voice-over narration), Bobby (Jerry Ferrara, Entourage's Turtle), and Carmine (Scott Caan, son of James) are the kind of punks who stole money from the church collection plate when they were Catholic schoolboys. Cut to the 1980s, when they're in their twenties, still close pals but following divergent paths: Michael, a smart, ambitious Columbia undergrad, plans to become a lawyer, while nerdy skinflint Bobby ("You're so cheap, if you saw a sign that said 'free slaps in the face,' you'd be the first in line," says Mike) hopes to land a gig at the post office, and the narcissistic Carmine is falling in with the wrong crowd, courtesy of Caesar Manganaro (Alec Baldwin), a captain in the Gambino crime family. Needless to say, conflicts ensue, as Michael scores a WASP girlfriend (an underused Mena Suvari), a mob war breaks out (based on real events, including the murder of big boss Paul Castellano and the ascension of Jo! hn Gotti), violence strikes tragically close to home, and the ! f-word i s employed liberally. Corrente does a nice job of evoking an era in which Billy Idol and Culture Club ruled the airwaves and Cabbage Patch Dolls were all the rage; and writer Terence Winter, a veteran of The Sopranos, has an ear for colorful, pithy dialogue ("That cardigan makes you look like the Italian Fred MacMurray"… "Depressed? She wouldn't be happy sitting in the lap of Jesus"). But a largely unsatisfying ending underscores the fact that Brooklyn Rules is nothing to go to the mattresses for. Extras including commentary by Corrente and Winter and a video accompanying the Rolling Stones' "Sympathy for the Devil," which is featured on the soundtrack. --Sam Graham

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Fair Game

• Jessica, a beautiful young woman, alone on an isolated outback farm in Australia, becomes the unwilling participant in a series of dangerous games with three shooters. At first they are content to tease and shock her, but when they star shooting on her land and endangering wildlife she is forced to take a stand. One by one, Jessica's avenues of escape are destroyed and she is forced to fight f

From the director of The Bourne Identity comes this riveting thriller inspired by the experiences of real-life CIA officer Valerie Plame (Academy Award® nominee Naomi Watts). When Plame's retired ambassador husband Joe Wilson (played by Academy Award® winner Sean Penn) writes a newspaper article challenging the basis for the U.S. war on Iraq, the White House leaks Plame s undercover status leaving her international contacts vulnerable, her career in shambles and her life in danger. Crackling with shar! p dialogue, gripping intrigue and heart-pounding suspense, Fair Game is the adventure that s so unbelievable, it can only be realThe skullduggery surrounding the Valerie Plame affair is already the stuff of an espionage thriller, even if at the time of the making of Fair Game many details of the incident remained murky. Naomi Watts plays Plame, a longtime CIA agent whose classified status was exposed to the world by columnist Robert Novak in 2003. The move was widely seen as retaliation for the fact that Plame's husband, diplomat Joseph Wilson (Sean Penn), had just written an op-ed piece contradicting an assertion in President Bush's State of the Union address--an assertion that was part of the Bush administration's drum-beating enthusiasm for the Iraq War. The movie can't answer all the questions about who wanted Plame exposed, but at the least it could create a convincing piece of Beltway intrigue. Instead, Fair Game steers in the direction of domestic melod! rama, as the marriage between Plame and Wilson is severely tes! ted by t he unwanted notoriety. It's not that the actors are unable to bring this situation to life; Penn is forceful (and he cleverly suggests the vanity of a longtime cocktail-party maven), while Watts, though quite capable, is somewhat frozen by her character's mixed, ambivalent reactions. The main problem is simply that these relationship scenes tip the balance, as though the Plame-Wilson marriage carried greater weight than allegations of weapons of mass destruction and the ramp-up to the Iraq War. Meanwhile, director Doug Liman tries to whip up some spy-movie "energy" with lots of noise and cutting, all of which feels increasingly hollow as the movie goes along. A calmer, cleaner documentary on the same subject might do a superior job someday. --Robert HortonPlames status as a cia agent was revealed by white house officials allegedly out to discredit her husband after he wrote a 2003 new york times op-ed piece saying that the bush administration had manipulated intellige! nce about weapons of mass destruction to justify the invasion of iraq. Studio: Uni Dist Corp. (summit) Release Date: 03/29/2011 Starring: Naomi Watts Sean Penn Run time: 107 minutes Rating: Pg13 Director: Doug LimanThe skullduggery surrounding the Valerie Plame affair is already the stuff of an espionage thriller, even if at the time of the making of Fair Game many details of the incident remained murky. Naomi Watts plays Plame, a longtime CIA agent whose classified status was exposed to the world by columnist Robert Novak in 2003. The move was widely seen as retaliation for the fact that Plame's husband, diplomat Joseph Wilson (Sean Penn), had just written an op-ed piece contradicting an assertion in President Bush's State of the Union address--an assertion that was part of the Bush administration's drum-beating enthusiasm for the Iraq War. The movie can't answer all the questions about who wanted Plame exposed, but at the least it could create a convincing pi! ece of Beltway intrigue. Instead, Fair Game steers in t! he direc tion of domestic melodrama, as the marriage between Plame and Wilson is severely tested by the unwanted notoriety. It's not that the actors are unable to bring this situation to life; Penn is forceful (and he cleverly suggests the vanity of a longtime cocktail-party maven), while Watts, though quite capable, is somewhat frozen by her character's mixed, ambivalent reactions. The main problem is simply that these relationship scenes tip the balance, as though the Plame-Wilson marriage carried greater weight than allegations of weapons of mass destruction and the ramp-up to the Iraq War. Meanwhile, director Doug Liman tries to whip up some spy-movie "energy" with lots of noise and cutting, all of which feels increasingly hollow as the movie goes along. A calmer, cleaner documentary on the same subject might do a superior job someday. --Robert HortonAN ATTORNEY AND A COP ON THE RUN FROM A HIGH TECH CRIME RINGTHAT CAN TRACK THEIR EVERY MOVE.She's a lawyer. He's a cop. Som! e former KGB-types with a wide variety of slippery accents and enough sophisticated technological surveillance gadgets to make one wonder how the Soviet Union could have possibly failed, want her dead. The cop (William Baldwin) is the only man who can save her. It helps that the high-powered attorney is played by Cindy Crawford, who gives new meaning to the phrase "habeas corpus." So the plot doesn't make any sense: First they try to kill her, no questions asked. Then they capture her and spill their guts about all the details of their nefarious plan. But logic is not what Fair Game is about. It's about explosions, car crashes, and more explosions. The only pauses in the action are for showers (one for Baldwin, two for Crawford) and a change of clothing (Crawford slips out of a tight T-shirt into an even tighter tank top). The best feature of the DVD is the addition of a Gallic track. With very little actual sex in the movie, having the main characters ! conversing in French definitely adds some sauciness to the di! alogue s cenes. --Richard Natale

Patricia Briggs, the #1 New York Times bestselling author of the Mercy Thompson novels, "always enchants her readers." (Lynn Viehl, New York Times bestselling author) Now her Alpha and Omega series-set in a world of shifting shapes, loyalty, and passion- brings werewolves out of the darkness and into a society where fear and prejudice could make the hunters prey...

They say opposites attract. And in the case of werewolves Anna Latham and Charles Cornick, they mate. The son-and enforcer-of the leader of the North American werewolves, Charles is a dominant alpha. While Anna, an omega, has the rare ability to calm others of her kind.

Now that the werewolves have revealed themselves to humans, they can't afford any bad publicity. Infractions that could have been overlooked in the past must now be punished, and the strain of doing his father's dirty work is taking a toll on Charles.

Nevertheless, Charle! s and Anna are sent to Boston, when the FBI requests the pack's help on a local serial killer case. They quickly realize that not only the last two victims were werewolves-all of them were. Someone is targeting their kind. And now Anna and Charles have put themselves right in the killer's sights...

FAIR GAME - DVD MovieFROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to power.On July 6, 2003, four months after the United States invaded Iraq, former ambassador Joseph Wilson's now historic op-ed, "What I Didn't Find in Africa," appeared in The New York Times. A week later, conservative pundit Robert Novak revealed in his newspaper column that Ambassador Wilson's wife, Valerie Plame Wilson, was a CIA operative. The public disclosure of ! that secret information spurred a federal investigation and le! d to the trial and conviction of Vice President Dick Cheney's chief of staff, Scooter Libby, and the Wilsons' civil suit against top officials of the Bush administration. Much has been written about the "Valerie Plame" story, but Valerie herself has been silent, until now. Some of what has been reported about her has been frighteningly accurate, serving as a pungent reminder to the Wilsons that their lives are no longer private. And some has been completely false--distorted characterizations of Valerie and her husband and their shared integrity.

Valerie Wilson retired from the CIA in January 2006, and now, not only as a citizen but as a wife and mother, the daughter of an Air Force colonel, and the sister of a U.S. marine, she sets the record straight, providing an extraordinary account of her training and experiences, and answers many questions that have been asked about her covert status, her responsibilities, and her life. As readers! will see, the CIA still deems much of the detail of Valerie's story to be classified. As a service to readers, an afterword by national security reporter Laura Rozen provides a context for Valerie's own story.

Fair Game is the historic and unvarnished account of the personal and international consequences of speaking truth to power.

---

Read the First Chapter from Fair Game

Joining the CIA
Our group of five--three men and two women--trekked through an empty tract of wooded land and swamp, known in CIA terms as the "Farm." It was 4 a.m. and we had been on the move all night. Having practiced escape and evasion from an ostensible hostile force--our instructors--we were close to meeting up with our other classmates. Together we would attack the enemy, then board a helicopter to safety. This exercise, called the final assault, was the clima! x of our paramilitary training. Each of us carried eighty-! pound ba ckpacks, filled with essential survival gear: tents, freeze-dried food, tablets to purify drinking water, and 5.56 mm ammunition for our M-16s. The late fall weather was bitter, and slimy water sloshed in our combat boots. A blister on my heel radiated little jabs of stinging pain. My friend Pete, a former Army officer, usually ready with a wisecrack and a smirk, hadn't spoken in hours, while John, our resident beer guzzler, carried not only his backpack but at least fifty extra pounds of body weight. His round face was covered with mud and sweat.

Read the Publisher's Note and First Chapter from Fair Game

---

FROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to p! ower.On July 6, 2003, four months after the United States invaded Iraq, former ambassador Joseph Wilson's now historic op-ed, "What I Didn't Find in Africa," appeared in The New York Times. A week later, conservative pundit Robert Novak revealed in his newspaper column that Ambassador Wilson's wife, Valerie Plame Wilson, was a CIA operative. The public disclosure of that secret information spurred a federal investigation and led to the trial and conviction of Vice President Dick Cheney's chief of staff, Scooter Libby, and the Wilsons' civil suit against top officials of the Bush administration. Much has been written about the "Valerie Plame" story, but Valerie herself has been silent, until now. Some of what has been reported about her has been frighteningly accurate, serving as a pungent reminder to the Wilsons that their lives are no longer private. And some has been completely false--distorted characterizations of Valerie an! d her husband and their shared integrity.

Valerie Wilso! n retire d from the CIA in January 2006, and now, not only as a citizen but as a wife and mother, the daughter of an Air Force colonel, and the sister of a U.S. marine, she sets the record straight, providing an extraordinary account of her training and experiences, and answers many questions that have been asked about her covert status, her responsibilities, and her life. As readers will see, the CIA still deems much of the detail of Valerie's story to be classified. As a service to readers, an afterword by national security reporter Laura Rozen provides a context for Valerie's own story.

Fair Game is the historic and unvarnished account of the personal and international consequences of speaking truth to power.

---

Read the First Chapter from Fair Game

Joining the CIA
Our group of five--three men and two women--trekked through an empty tract of w! ooded land and swamp, known in CIA terms as the "Farm." It was 4 a.m. and we had been on the move all night. Having practiced escape and evasion from an ostensible hostile force--our instructors--we were close to meeting up with our other classmates. Together we would attack the enemy, then board a helicopter to safety. This exercise, called the final assault, was the climax of our paramilitary training. Each of us carried eighty-pound backpacks, filled with essential survival gear: tents, freeze-dried food, tablets to purify drinking water, and 5.56 mm ammunition for our M-16s. The late fall weather was bitter, and slimy water sloshed in our combat boots. A blister on my heel radiated little jabs of stinging pain. My friend Pete, a former Army officer, usually ready with a wisecrack and a smirk, hadn't spoken in hours, while John, our resident beer guzzler, carried not only his backpack but at least fifty extra pounds of body weight.! His round face was covered with mud and sweat.

R! ead the Publisher's Note and First Chapter from Fair Game

---

FROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to power.Jessica, a beautiful young woman, alone on an isolated outback farm in Australia, becomes the unwilling participant in a series of dangerous games with three shooters. At first they are content to tease and shock her, but when they star shooting on her land and endangering wildlife she is forced to take a stand. One by one, Jessica's avenues of escape are destroyed and she is forced to fight for her life. Jessica sets up whatever makeshift defenses she can and waits for the inevitable showdown. In the mayhem of the climax her farm is reduced to smoking ruins, but her courage and endur! ance proves to be a match for the brute strength of man and machine

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Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia

• ISBN13: 9780143038412
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

This beautifully written, heartfelt memoir touched a nerve among both readers and reviewers. Elizabeth Gilbert tells how she made the difficult choice to leave behind all the trappings of modern American success (marriage, house in the country, career) and find, instead, what she truly wanted from life. Setting out for a year to study three different aspects of her nature amid three different cultures, Gilbert explored the art of pleasure in Italy and the art of devotion in India, and then a balance between the two on the Indonesian island of Bali. By turns rapturous and rueful, this wise and funny author (whom Booklist calls “Anne Lamott’s hip, yoga- practicing, footloose younger sister”)! is poised to garner yet more adoring fans.

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Dead Man's Shoes

• Richard (Paddy Considine) has always protected his simple-minded little brother Anthony (Toby Kebbell). When Richard leaves the rural village where they have grown up to join the army, Anthony is taken in by Sonny (Gary Stretch), a controlling and vicious local drug dealer and his gang of lads. Anthony becomes the gang's pet and plaything. Seven years later, Richard returns to settle the score. De

Richard (Paddy Considine) has always protected his simple-minded little brother Anthony (Toby Kebbell). When Richard leaves the rural village where they have grown up to join the army, Anthony is taken in by Sonny (Gary Stretch), a controlling and vicious local drug dealer and his gang of lads. Anthony becomes the gang's pet and plaything. Seven years later, Richard returns to settle the score. Dead Man's Shoes is a genre-defying film blending horror, supernatural elements, comedy and social realism! . Set in a Midlands village, it explores the underbelly of contemporary rural Britain in communities where crime is unchecked and drugs, intimidation and power games are accepted as part of daily life.Harrowing thriller about a hotwired ex-soldier (co-scripter Paddy Considine from Cinderella Man) who returns to his sleepy Irish village to dole out merciless revenge upon the booze- and drug-sodden hoodlums who abused his mentally handicapped younger brother (the astonishing Toby Kebbel). Director Shane Meadows (Once Upon a Time in the Midlands) doesn't shy away from delivering scenes of gripping suspense and violence, but the end result hews closer to an ambiguous meditation on the nature and effect of vengeance a la Sam Peckinpah's Straw Dogs than a Death Wish-style grindhouse effort. Taut and thought-provoking, Dead Man's Shoes is a must-see for indie film aficionados with a taste for the grittiest of fare. The DVD includes some rollickin! g commentary by Meadows, Considine, and producer Mark Herbert;! an intr iguing and heartfelt featurette on Meadows and his own violent past as a teenage skinhead in 1980s England, from which he drew inspiration for this film; and an alternate (and somewhat less satisfying) final scene. -- Paul Gaita

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Datrex 3600 Emergency Food Bar - 3 Day/72 Hour Bar

• 5 Year Shelf Life
• Approved by U.S. Coast Guard

With a shelf-life of 5 full years, our Emergency Rations are simply the best source of emergency nutrition available. Unlike MRE's, which are high in sodium and only suitable for use by those with an extremely large pure water supply, our rations are low in sodium, balanced with our Emergency Water Pouches to provide full nutrition and energy 24 hours a day without dehydrating the consumer. Lightweight, compact, and portable, these rations will last an individual for 3 days, providing 4 meals each day. They are easy to digest and have a pleasing coconut cookie flavor. With such unbeatable nutrition, portability, and practicality, it's no wonder the U.S. Coastguard has certified these Emergency rations for use anywhere. Rations contain coconut and wheat. Please consult your physician if you have any special dietary conditions such as acti! ve Crohn's Disease or Diabetes. Young children can be fed a half ration, and ration can be mixed with water for babies and others with sensitive digestion or missing teeth. Available for individual purchase or purchase by the case. Case contains 30 individually wrapped 2400 calorie ration bars. Shelf life: 5 years.

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Brothers of the Head

• Temple University alumni Keith Fulton and Louis Pepe (Lost in La Mancha) deliver their first fiction film, a mock-rock documentary about conjoined-twin rock stars in 1960s and 70s London. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 796019796620 UPC: 796019796620 Manufacturer No: 79662

With Brothers of the Head, Keith Fulton and Louis Pepe (the acclaimed directors of Lost in La Mancha) present their much anticipated debut feature. Written by Tony Grisoni (Fear and Loathing in Las Vegas), Brothers of the Head is the feverish, mind-bending odyssey of conjoined twins Tom and Barry Howe who were plucked from obscurity by a 1970s music promoted and groomed into a boy band. Grappling with impossible love, artistic rivalry, and a dark inner life, the twins embrace their freakishness and spit it back in the form of searing Punk Rock, calling their band The Bang Bang. Brothers of the Head is a ! raucous ride through the seamy underground fo 70's rock, and an unsettling glimpse into a relationship that is as beautiful as it is destructive.A feverish, mind-bending pseudo documentary of conjoined twins Tom and Barry Howe who were plucked from obscurity to be groomed into a boy band. -Official Selection 2006 Los Angeles Film Festival, 2006 Tribeca Film Festival, 2006 South by Southwest Film Festival, 2005 Toronto Film Festival From acclaimed directors of Lost in La Mancha, Keith Fulton and Louis Pepe

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The Emperor's New Groove - The New Groove Edition

• Hilarious comedy rules in Disney's THE EMPEROR'S NEW GROOVE! There's something for everyone in this hip, funny movie with its dynamo cast, distinctive style, and great music -- featuring the Academy Award(R)-nominated song, "My Funny Friend And Me" (2000, Best Original Song). Emperor Kuzco (voiced by David Spade) is turned into a llama by his devious advisor, Yzma (Eartha Kitt), and he

If you liked ALADDIN, you'll love Disney's THE EMPEROR'S NEW GROOVE, where outrageous comedy rules! Audiences and critics alike raved about this hilarious animated adventure. "Ebert & Roeper And The Movies" gave it "Two Thumbs Up." Faster than you can say "Boom, baby," arrogant Emperor Kuzco is turned into a llama by his devious advisor, Yzma, and her hunky henchman, Kronk, who want to rid the kingdom of this beast of burden. Now the ruler who once had it all must form an unlikely alliance with a pleasant peasa! nt named Pacha. Together, Kuzco and Pacha must overcome their differences as they embark on a hilarious, "groovy" adventure that will have you howling with laughter.Originally developed as an epic called Kingdom of the Sun, The Emperor's New Groove lost scale and most of Sting's song score (some of which can be heard on the soundtrack) on its way to the screen. The end result is the lightest Disney film in many a moon, a joyous romp akin to Aladdin in its quotient of laughs for kids and adults. The original story centers on the spoiled teenage emperor Kuzco (David Spade), who enjoys getting the best of his Aztecan subjects. When he fires Yzma (Eartha Kitt), his evil sorceress, she seeks revenge and turns Kuzco into a llama with the help of her hunk of the month, a lunk named Kronk (Patrick Warburton). Alone in the jungle, the talking llama is befriended by Pacha (John Goodman), who has just been told to vacate his pastoral home by the human Kuzco. What'! s an ego to do? That's pretty much the story and the character! s--simpl e, direct, fun--a Disney film on a diet. For any fan of the acidic humor of Spade, this is essential viewing. As narrator of his tale, Kuzco uses a sarcastic tone to keep the story jumping with plenty of fun asides (he even "stops" the film at one point to make sure you know the story is about him). Even better is character actor Warburton (Elaine's stuck-up boyfriend on Seinfeld), who steals every scene as the dim-witted, but oh-so-likable Kronk. There's even a delicious Tom Jones number that starts the film off with a bang. --Doug Thomas

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Flipped [Blu-ray]

• FLIPPED BLU-RAY/DVD/DIGI (BLU-RAY DISC)

When second-graders Bryce and Juli first meet, Juli knows it’s love. Bryce isn’t so sure. In the days and years ahead, Bryce (Callan McAuliffe) does all he can to keep his wannabe girlfriend at arm’s length â€" and the smart, independent-minded Juli (Madeline Carroll) continues to give him the benefit of the doubt. This tender coming-of-age romantic comedy from director Rob Reiner takes the pair from grade school to junior high, through triumph and disaster, family drama and first love, as they make discoveries that will define who they are â€" and who they are to each other.Even if you're not a child of the early '60s, Flipped's tale will resonate with your heart. Director Rob Reiner treats viewers to a sweet but honest glimpse into the lives of a young girl and boy during the early 1960s as they maneuver through first crushes and heartbre! ak. Reiner once again shows he understands how to put together a compelling, yet simple, human story. We meet Juli Baker (Madeline Carroll) and Bryce Loski (Callan McAuliffe) on the day Bryce's family moves across the street from Juli's. Told by "flipping" between Juli and Bryce's voices, a tale of early childhood love emerges. Juli loves Bryce's baby blues from the first moment she sees them and she just knows he's holding onto her first kiss. Bryce thinks Juli, who raises chickens and loves the neighborhood sycamore tree, is weird. The story doesn't merely flip between the two stories, though. In 1963, the year eighth grade comes around, Juli begins to wonder if there's any substance behind those baby blues… just as Bryce starts to see Juli's eccentricities as endearing instead of embarrassing. Sweetly reminiscent without a saccharine aftertaste, the overall story is perhaps a tad predictable but is skillfully directed and acted--the families are played by a supporting ! cast of recognizable names, including Aidan Quinn, Anthony Edw! ards, Re becca De Mornay, Penelope Ann Miller, and John Mahoney--so that you don't mind getting exactly what you expect. Based on the novel of the same name by Wendelin Van Draanen. --Jill CorddryStudio: Castle Rock Hm Video Release Date: 11/23/2010 Rating: PgEven if you're not a child of the early '60s, Flipped's tale will resonate with your heart. Director Rob Reiner treats viewers to a sweet but honest glimpse into the lives of a young girl and boy during the early 1960s as they maneuver through first crushes and heartbreak. Reiner once again shows he understands how to put together a compelling, yet simple, human story. We meet Juli Baker (Madeline Carroll) and Bryce Loski (Callan McAuliffe) on the day Bryce's family moves across the street from Juli's. Told by "flipping" between Juli and Bryce's voices, a tale of early childhood love emerges. Juli loves Bryce's baby blues from the first moment she sees them and she just knows he's holding onto her first kiss. Bry! ce thinks Juli, who raises chickens and loves the neighborhood sycamore tree, is weird. The story doesn't merely flip between the two stories, though. In 1963, the year eighth grade comes around, Juli begins to wonder if there's any substance behind those baby blues… just as Bryce starts to see Juli's eccentricities as endearing instead of embarrassing. Sweetly reminiscent without a saccharine aftertaste, the overall story is perhaps a tad predictable but is skillfully directed and acted--the families are played by a supporting cast of recognizable names, including Aidan Quinn, Anthony Edwards, Rebecca De Mornay, Penelope Ann Miller, and John Mahoney--so that you don't mind getting exactly what you expect. Based on the novel of the same name by Wendelin Van Draanen. --Jill Corddry

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Matthew Barney: No Restraint

• From 1995 to 2002, avant-garde artist Matthew Barney wrote, directed, and starred in the Cremaster Cycle, five offbeat films featuring unusual situations and bizarre characters. Since 1987, he has also been working on the Drawing Restraint series, in which he uses physical weights and barriers to make the creation of his art more difficult--and more rewarding in the end. In 2005 he released DRAWIN

Documentary ) World renowned artist and filmmaker, Matthew Barney plowed the waters off the coast of Nagasaki to film his massive endeavor, DRAWING RESTRAINT 9. This documentary journeys with Barney and his collaborator Björk, as the visual artist creates a "narrative sculpture" telling a fantastical love story of two characters.

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Bride of Chucky

• Actors: Jennifer Tilly, Brad Dourif, Katherine Heigl, Nick Stabile, Alexis Arquette.
• Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC.
• Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround). Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only)
• Rated R. Run Time: 89 minutes.

AFTER CHUCKY'S OLD FLAME RESUCES HIS BATTERED BODY FROM A POLICEIMPOUND HE TURNS HER INTO HIS NEWEST PLAYMATE AND PARTNER INCRIME. TOGETHER THE DEMONIC DUO EMBARK ON A HOMICIDAL HONEYMOON IN SEARCH OF TWO PERFECT SOULD TO STEAL. CHUCKY'S BACK. SPECIAL FEATURES: TALENT BIOS, WEB LINKS, DVD ROM APPLICATION AND MORE.Brace yourself: this is a clever, consistently entertaining, and even inspired continuation of the mean-spirited slasher series. For those not in the know, Chucky is a mop-top kid's doll come to life with the soul of a ser! ial killer and the voice of Brad Dourif (doing his best Jack Nicholson). Revived by his former paramour Tiffany (Jennifer Tilly, looking every inch a life-size Barbie in stiletto heels and skintight black leather), Chucky proceeds to turn his human sweetie into a pint-sized Talking Tina doll with attitude, and together they hit the road for a magic amulet and young new bodies to inhabit. They hitch a ride with sweet young runaways Katherine Heigl and Nick Stabile and leave a trail of corpses bloodied, burned, and cut to ribbons. The kids are cute, but the real heat is generated by the latex lovers who use murder as foreplay and consummate their renewed romance in a night of passionate sex ("Shouldn't you wear a rubber?" "I'm all rubber!"). Hong Kong director Ronny Yu (The Bride with White Hair) directs with a light touch and against all odds transforms walking dolls Chucky and Tiffany into funny, energetic, full-blooded characters: l'amour fou has never been m! ore crazy. John Ritter costars as Heigl's overprotective uncle! (anothe r obstacle on the road to dolly freedom) and Alexis Arquette is hilarious as a lanky goth nerd. The wild conclusion leaves room for another high-concept sequel. The DVD features two commentary tracks, a behind-the-scenes documentary, and "Jennifer Tilly's Diary." --Sean Axmaker

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Hot Tub Time Machine (Unrated) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Get ready to kick some serious past with the wildly inappropriate UNRATED version of Hot Tub Time Machine. The outrageous laughs bubble up when four friends share a crazy night of drinking in a ski resort hot tub, only to wake up with serious hangovers in 1986 â€" back when girls wore leg warmers, guys watched “Red Dawn” and Michael Jackson was black! Now, nice-guy Adam (John Cusack), party animal Lou (Rob Corddry), married man Nick (Craig Robinson) and mega-nerd Jacob (Clark Duke) must relive a wild night of sex, drugs and rock-n-roll and try to change their future â€" forever!Hot Tub Time Machine hits the bull's-eye: it's a rude, crude comedy with enough smarts and emotional sweetness to make it completely entertaining. Seeking to bring some youthful optim! ism back to their failed, miserable lives, three middle-aged guys--Adam (John Cusack), Nick (Craig Robinson), and Lou (Rob Corddry)--go to a mountain resort where they spent some of their wildest days (reluctantly dragging along Adam's nephew, Jacob, played by newcomer Clark Duke). A drunken accident in the titular hot tub sends them swirling back to 1986, where each of them decides to risk changing the future (and possibly erasing Jacob from existence) by doing things just a little differently. A plot summary doesn't capture the movie's rambunctious, daffy spirit as much as… well, the ridiculous title: this is a movie called Hot Tub Time Machine! Any expectation you may have will be met and surpassed. John Cusack delivers another underplayed yet marvelously funny performance, his best since High Fidelity; Clark Duke, from the TV show Greek, proves a promising young comic talent. But the movie really belongs to Robinson and Corddry, who've been float! ing around the edges of tons of comedies--some have been good,! some ha ve been bad, but they've both been consistently funny even in crappy movies. Hot Tub Time Machine gives them center stage and lets them reveal the comic chaos they can deliver. It helps, but is not necessary, to have lived through the '80s to find Hot Tub Time Machine exquisitely silly. --Bret Fetzer

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The Complete Cat's Meow: Everything You Need to Know about Caring for Your Cat

• ISBN13: 9780470641675
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Predators, Book One Micah Lasiter won’t let age or physical wear and tear slow him down. Presented with the chance to be stronger than ever before, he doesn’t hesitate to join the Predator Projectâ€"not that refusing is an option. Too bad nobody warned him about the possible side effects. Dr. Rebecca Southerby works with cats. Big cats. She’s not sure why a scientific research organization wants a zoologist on staff but the great perks make it easy to overlook a few peculiarities. What’s shocking is finding her one-night stand at the secret lab and discovering how much he’s changed. Ensnared in a strange new reality, they’ll have to work together to bring down the corrupt organization and u! ntangle a web of secrets with the power to either bind them togetherâ€"or kill them.Predators, Book One Micah Lasiter won’t let age or physical wear and tear slow him down. Presented with the chance to be stronger than ever before, he doesn’t hesitate to join the Predator Projectâ€"not that refusing is an option. Too bad nobody warned him about the possible side effects. Dr. Rebecca Southerby works with cats. Big cats. She’s not sure why a scientific research organization wants a zoologist on staff but the great perks make it easy to overlook a few peculiarities. What’s shocking is finding her one-night stand at the secret lab and discovering how much he’s changed. Ensnared in a strange new reality, they’ll have to work together to bring down the corrupt organization and untangle a web of secrets with the power to either bind them togetherâ€"or kill them.This ultimate celebration of the cat features witty quotes about felines and images by three of the world s m! ost beloved animal photographers. Whether playing, pouncing, o! r just p urring contentedly, these are some of the most adorable kittens and cats ever to grace the printed page.The all-in-one resource for cat owners

Do you consider cats valued members of the family? Do you want to ensure you're giving your beloved feline friend the very best possible care? Then this all-in-one, comprehensive cat care guide is for you!

From grooming to litter box issues to nutrition and much more, The Complete Cat's Meow covers all the bases to raising and caring for kitties. It also shows you how to introduce a new kitten to other pets, handle behavioral problems, and make life comfortable for cats of all ages.

• Covers everything cat owners need to know about health, nutrition, behavior, and training
• Compelling photos of a wide variety of breeds
• Other titles by Arden: The Irrepressible Toy Dog; Small Dogs, Big Hearts

Whether you're a veteran cat owner or thinking about adding a feline to your family, The Complete ! Cat's Meow is your one-stop guide to comprehensive cat care.

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Get Him to the Greek (2-Disc Unrated Collector's Edition) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Collector's Edition; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Academy Award winner Robert Duvall (1983, Best Actor, Tender Mercies) is Felix Bush, the “Hermit of Caleb County,” a man so haunted by his secrets that he has lived in quiet desolation in the Tennessee backwoods for over 40 years. Realizing that he is near his own mortality, Bush decides to have a “living funeral party,” inviting people to tell their stories about him. Enlisting the help of Frank Quinn (Golden Globe winner Bill Murray, 2004, Best Actor in a Motion Picture - Musical or Comedy, Lost in Translation) and Buddy Robinson (Lucas Black, Legion), Bush goes through a process of self-discovery, allowing him to deal with his past secrets, including ones involving old flame (and new widow) Mattie (Academy Award winner Sissy Spacek, 1980, ! Best Actress, Coal Miner's Daughter). Comedies about death aren't exactly a novel proposition, but Get Low, which draws from a real 1930s incident, leaves the gallows humor behind for a lighter touch. After losing the love of his life 40 year before, Felix Bush (Robert Duvall) has lived like a hermit ever since. With death on the horizon and guilt weighing him down, the "crazy ol' nutter" decides to go out with a party. As he tells funeral director Frank Quinn (Bill Murray in top form), "Time for me to get low." Frank and his assistant, Buddy (Duvall's Sling Blade costar Lucas Black), find the request bizarre--since Felix plans to attend--but they can't afford to turn him down. Quips Quinn, "One thing about Chicago, people know how to die. People are dying in bunches, but not around here." So, they fit Felix for a suit, post invitations up around Caleb County, and set up a land raffle to encourage everyone to show. Before he leaves this mortal coil, Fe! lix longs to hear the tall tales the town folk have been sprea! ding abo ut him. While preparing for the big day, he reconnects with Charlie (Bill Cobbs), a preacher, and Mattie (Sissy Spacek), an old flame who returned to the county after her husband's death. Their encounters, which have a gentle sweetness, encourage Felix to share the truth he's kept bottled up inside for decades. After that big buildup, his confession feels a little anticlimactic, but cinematographer-turned-director Aaron Schneider's affection for his characters always shines through. --Kathleen C. FennessyAcademy Award winner Robert Duvall (1983, Best Actor, Tender Mercies) is Felix Bush, the “Hermit of Caleb County,” a man so haunted by his secrets that he has lived in quiet desolation in the Tennessee backwoods for over 40 years. Realizing that he is near his own mortality, Bush decides to have a “living funeral party,” inviting people to tell their stories about him. Enlisting the help of Frank Quinn (Golden Globe winner Bill Murray, 2004, Best Actor ! in a Motion Picture - Musical or Comedy, Lost in Translation) and Buddy Robinson (Lucas Black, Legion), Bush goes through a process of self-discovery, allowing him to deal with his past secrets, including ones involving old flame (and new widow) Mattie (Academy Award® winner Sissy Spacek, 1980, Best Actress, Coal Miner's Daughter).Comedies about death aren't exactly a novel proposition, but Get Low, which draws from a real 1930s incident, leaves the gallows humor behind for a lighter touch. After losing the love of his life 40 year before, Felix Bush (Robert Duvall) has lived like a hermit ever since. With death on the horizon and guilt weighing him down, the "crazy ol' nutter" decides to go out with a party. As he tells funeral director Frank Quinn (Bill Murray in top form), "Time for me to get low." Frank and his assistant, Buddy (Duvall's Sling Blade costar Lucas Black), find the request bizarre--since Felix plans to attend--but! they can't afford to turn him down. Quips Quinn, "One thing a! bout Chi cago, people know how to die. People are dying in bunches, but not around here." So, they fit Felix for a suit, post invitations up around Caleb County, and set up a land raffle to encourage everyone to show. Before he leaves this mortal coil, Felix longs to hear the tall tales the town folk have been spreading about him. While preparing for the big day, he reconnects with Charlie (Bill Cobbs), a preacher, and Mattie (Sissy Spacek), an old flame who returned to the county after her husband's death. Their encounters, which have a gentle sweetness, encourage Felix to share the truth he's kept bottled up inside for decades. After that big buildup, his confession feels a little anticlimactic, but cinematographer-turned-director Aaron Schneider's affection for his characters always shines through. --Kathleen C. FennessyTrue Grit is a powerful story of vengeance and valor set in an unforgiving and unpredictable frontier where justice is simple and mercy is rare. Mattie Ross! (Hailee Steinfeld), is determined to avenge her father's blood by capturing Tom Chaney (Josh Brolin), the man who shot and killed him for two pieces of gold. Just fourteen, she enlists the help of Rooster Cogburn (Academy Award® Winner Jeff Bridges), a one-eyed, trigger-happy U.S. Marshall with an affinity for drinking and hardened Texas Ranger LaBoeuf (Academy Award® Winner Matt Damon) to track the fleeing Chaney. Despite their differences, their ruthless determination leads them on a perilous adventure that can only have one outcome: retribution. A 14-year-old girl needs a man with "true grit" to help her bring in the fugitive who killed her father. That she settles on Rooster Cogburn--a one-eyed, booze-soaked, potbellied U.S. marshal on the downward curve of his career in law enforcement--is the glorious springboard for all versions of True Grit: the Charles Portis novel, the 1969 western that won an Oscar for John Wayne, and the 2010 Coen brothers adaptation. ! The Coens have some mighty shoes to fill in their version, and! their c hoice for the eye-patch is Jeff Bridges, who growls his way through an understated take on Rooster. Matt Damon plays LaBoeuf, the Texas Ranger who joins the hunt; Josh Brolin is the scurvy killer; and Barry Pepper is the leader of the outlaw gang. Working as usual with cinematographer Roger Deakins, the Coens exhibit their clear, crisp view of western places, thrillingly creating new takes on recognizable vistas such as the frontier town, the snowy forest, and the isolated cabin at night. The Coens revel in the incredibly ornate dialogue, which allows their sardonic attitude to bleed into the material--young actress Hailee Steinfeld doesn't seem at all fazed by the language, which may be a key reason she got the job as heroine Mattie Ross. While True Grit doesn't have the heft of the best films in the Coens' arsenal (there's something very formal and even a wee bit academic about their stroll through this familiar text), they do create a pleasant sense of a good yarn,! retold around the campfire for the umpteenth time. --Robert HortonAfter the death of his father King George V (Michael Gambon) and the scandalous abdication of King Edward VIII (Guy Pearce), Bertie (Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England. With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle. Based on the true story of King George VI, "The King's Speech" follows the Royal Monarch's ! quest to find his voice. Candidates for president and prime m! inister choose to run, but kings rarely have a choice. Such was the case for Prince Albert, known by family members as Bertie (Colin Firth), whose stutter made public speaking difficult. Upon the death of his father, George V (Michael Gambon, making the most of a small part), the crown went to Bertie's brother, Edward VIII (Guy Pearce), who abdicated to marry divorcée Wallis Simpson. All the while, Bertie and his wife, Elizabeth (Helena Bonham Carter, excellent), try to find a solution to his stammer. Nothing works until they meet Australian émigré Lionel Logue (Geoffrey Rush), a failed actor operating out of a threadbare office. He believes Bertie's problem stems from emotional rather than physiological issues, leading to a clash of wills that allows the Oscar®-winning Rush (Shine) and the Oscar-nominated Firth (A Single Man) to do some of their best work (in a neat bit of casting, Firth's Pride and Prejudice costar, Jennifer Ehle, plays Logue's wife). All ! their efforts, from the tense to the comic--Bertie doesn't stutter when he swears--lead to the speech King George VI must make to the British public on the eve of World War II. At a time when his country needs him the most, he can't afford to fail. As Stephen Frears did in The Queen, Tom Hooper (HBO's Elizabeth I) lends vulnerability to a royal figure, showing how isolating that life can be--and how much difference a no-nonsense friend like Logue can make. --Kathleen C. FennessyJoin the ShapelyGirl Revolution with Let s Get Moving! Let s Get Moving for ShapelyGirls is highly effective in burning calories and toning your body. This is a Beginner/Intermediate workout including warm up, cardio, and cool down exercises, a bonus floorwork track and a special feature, Debra Mazda s Circle Time when the ShapelyGirl team talks about working out as healthy, plus-size women. No matter what size you are - even if you've never worked out before - start moving, brea! thing & feeling great with Debra Mazda. Debra is living proof ! that you do not have to be a size 2 to be fit and fabulous. At 315 pounds, Debra decided that diets were not the answer and discovered that exercise can transform your body and your life. Debra and her ShapelyGirl team will work out right along with you and teach you to embrace your curves while getting fit and healthy. Together we can do this! Debra Mazda, M. Ed. is an Exercise Physiologist and Wellness Coach with over 2 decades in the fitness industry and she is the #1 leader of the plus-size fitness revolution.Studio: Uni Dist Corp. (mca) Release Date: 09/28/2010 Run time: 121 minutes Rating: RThe man who put the rock in raucous, Aldous Snow, returns to new levels of debauchery in Get Him to the Greek, something of a spinoff of the character's first appearance in Forgetting Sarah Marshall. As played by the equally naughty Russell Brand, Aldous has fallen off the wagon and is more obnoxious than ever, a condition that will make Aaron Green's job more difficult. Po! or Aaron (Jonah Hill) is the goggle-eyed record-company stooge whose job it is to transport Aldous from London to Los Angeles in the course of 72 vodka-saturated hours--specifically to the Greek Theatre, where Aldous is supposed to revive his stumbling career with a comeback show. Now, given Russell Brand's raggedy hilarity in Sarah Marshall, this movie should be a slam dunk, as it imports that film's director (Nicholas Stoller), the "produced by Judd Apatow" imprimatur, and Jonah Hill in his deadpan stride. (Hill's character isn't related to his Sarah Marshall role, by the way.) And yet Get Him to the Greek summons up only sporadic laughs and commits the comedy crime of trying to explain Aldous's bad behavior, instead of simply letting his freak flag gloriously fly. So we are treated to the spectacle of Aldous's father (Colm Meaney, nice casting), who never loved his son enough, and Aldous's ex (Rose Byrne), who appears a little too inclined to spread ! the love around. Meanwhile, the comic situations that do arise! are div orced from plausibility, whether it's the logistics of how a program like The Today Show works or the likelihood of a three-way involving Aaron's girlfriend (Elisabeth Moss, from Mad Men). One surprise: as Aaron's hard-driving boss, Sean "Don't call me Puff Daddy" Combs is thoroughly amusing. Rushed and choppy by comparison to other comedies from the Apatow mill, Get Him to the Greek feels like the sophomore slump for Aldous Snow--and possibly the swan song. --Robert Horton

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Hot Tub Time Machine (Unrated) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Get ready to kick some serious past with the wildly inappropriate UNRATED version of Hot Tub Time Machine. The outrageous laughs bubble up when four friends share a crazy night of drinking in a ski resort hot tub, only to wake up with serious hangovers in 1986 â€" back when girls wore leg warmers, guys watched “Red Dawn” and Michael Jackson was black! Now, nice-guy Adam (John Cusack), party animal Lou (Rob Corddry), married man Nick (Craig Robinson) and mega-nerd Jacob (Clark Duke) must relive a wild night of sex, drugs and rock-n-roll and try to change their future â€" forever!Hot Tub Time Machine hits the bull's-eye: it's a rude, crude comedy with enough smarts and emotional sweetness to make it completely entertaining. Seeking to bring some youthful optim! ism back to their failed, miserable lives, three middle-aged guys--Adam (John Cusack), Nick (Craig Robinson), and Lou (Rob Corddry)--go to a mountain resort where they spent some of their wildest days (reluctantly dragging along Adam's nephew, Jacob, played by newcomer Clark Duke). A drunken accident in the titular hot tub sends them swirling back to 1986, where each of them decides to risk changing the future (and possibly erasing Jacob from existence) by doing things just a little differently. A plot summary doesn't capture the movie's rambunctious, daffy spirit as much as… well, the ridiculous title: this is a movie called Hot Tub Time Machine! Any expectation you may have will be met and surpassed. John Cusack delivers another underplayed yet marvelously funny performance, his best since High Fidelity; Clark Duke, from the TV show Greek, proves a promising young comic talent. But the movie really belongs to Robinson and Corddry, who've been float! ing around the edges of tons of comedies--some have been good,! some ha ve been bad, but they've both been consistently funny even in crappy movies. Hot Tub Time Machine gives them center stage and lets them reveal the comic chaos they can deliver. It helps, but is not necessary, to have lived through the '80s to find Hot Tub Time Machine exquisitely silly. --Bret Fetzer

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Invictus

• Format: DVD
• Rating: PG-13
• Release Date: 5/18/10
• Run Time: 133 min
• Director: Clint Eastwood

Imagine Harrison Ford as a rogue scientist exploring not ancient artifacts of lost arks, but biochemical research to help cure rare diseases. In "Extraordinary Measures", Ford manages to keep some of that wry rebellious Indiana Jones energy as he plays Dr. Robert Stonehill, a fringe researcher whose findings just might help keep alive the two children of John Crowley, played with heart and sobriety by Brendan Fraser. "Extraordinary Measures" is based on a true story, one chronicled in the gripping book "The Cure: How a Father Raised $100 Million--and Bucked the Medical Establishment--in a Quest to Save His Children", by "Wall Street Journal" reporter Geeta Anand. The cast is excellent, with Ford tamping down his occasional urge to vamp for the camera, and Fraser grounded ! in his first true adult role. The supporting cast is also strong, including Keri Russell as Crowley's frantic wife, facing the near-certain death of both of her children; Dee Wallace, Jared Harris, and Courtney B. Vance also appear as strong supporting characters. Director Tom Vaughan switches gears from his wildly successful romp "What Happens in Vegas" to turn in a crisply paced and suspenseful family drama. As Crowley and Dr. Stonehill team up to raise money to support Stonehill's research, Crowley says, "Who's going to be half as motivated as the dad who's trying to save his own kids?" "Extraordinary Measures" brings to mind similar dramas like "Lorenzo's Oil", but its heart and drive are unique to the story of the Crowleys, a very special family indeed. "--A.T. Hurley" \n\n \n\n\n Stills from "Extraordinary Measures" (Click for larger image)Imagine Harrison Ford as a rogue scientist exploring not ancient artifacts of lost arks, but biochemical research to help cure rar! e diseases. In Extraordinary Measures, Ford manages to ! keep som e of that wry rebellious Indiana Jones energy as he plays Dr. Robert Stonehill, a fringe researcher whose findings just might help keep alive the two children of John Crowley, played with heart and sobriety by Brendan Fraser. Extraordinary Measures is based on a true story, one chronicled in the gripping book The Cure: How a Father Raised $100 Million--and Bucked the Medical Establishment--in a Quest to Save His Children, by Wall Street Journal reporter Geeta Anand. The cast is excellent, with Ford tamping down his occasional urge to vamp for the camera, and Fraser grounded in his first true adult role. The supporting cast is also strong, including Keri Russell as Crowley's frantic wife, facing the near-certain death of both of her children; Dee Wallace, Jared Harris, and Courtney B. Vance also appear as strong supporting characters. Director Tom Vaughan switches gears from his wildly successful romp What Happens in Vegas to turn in a crisply pace! d and suspenseful family drama. As Crowley and Dr. Stonehill team up to raise money to support Stonehill's research, Crowley says, "Who's going to be half as motivated as the dad who's trying to save his own kids?" Extraordinary Measures brings to mind similar dramas like Lorenzo's Oil, but its heart and drive are unique to the story of the Crowleys, a very special family indeed. --A.T. Hurley




Stills from Extraordinary Measures (Click for larger image)

Studio: Sony Pictures Home Ent Release Date: 05/18/2010 Run time: 106 minutes Rating: PgImagine Harrison Ford as a rogue scientist exploring not ancient artifacts of lost arks, but biochemical research to help cure rare diseases. In Extraordinary Measures, Ford manages to keep some of that wry rebellious Indiana Jones energy as he plays Dr. Robert Stonehill, a fringe researcher whose findings just mig! ht help keep alive the two children of John Crowley, played with heart and sobriety by Brendan Fraser. Extraordinary Measures is based on a true story, one chronicled in the gripping book The Cure: How a Father Raised $100 Million--and Bucked the Medical Establishment--in a Quest to Save His Children, by Wall Street Journal reporter Geeta Anand. The cast is excellent, with Ford tamping down his occasional urge to vamp for the camera, and Fraser grounded in his first true adult role. The supporting cast is also strong, including Keri Russell as Crowley's frantic wife, facing the near-certain death of both of her children; Dee Wallace, Jared Harris, and Courtney B. Vance also appear as strong supporting characters. Director Tom Vaughan switches gears from his wildly successful romp What Happens in Vegas to turn in a crisply paced and suspenseful family drama. As Crowley and Dr. Stonehill team up to raise money to support Stonehill's research, Crowl! ey says, "Who's going to be half as motivated as the dad who's! trying to save his own kids?" Extraordinary Measures brings to mind similar dramas like Lorenzo's Oil, but its heart and drive are unique to the story of the Crowleys, a very special family indeed. --A.T. Hurley




Stills from Extraordinary Measures (Click for larger image)

What does Nelson Mandela do after becoming president of South Africa? He rejects revenge, forgives oppressors who jailed him 27 years for his fight against apartheid and finds hope of national unity in an unlikely place: the rugby field. Clint Eastwood (named 2009's Best Director by the National Board of Review) directs an uplifting film about a team and a people inspired to greatness. Morgan Freeman (NBR's Best Actor Award winner and Oscar nominee for this role) is Mandela, who asks the national rugby team captain (Best Supportin! g Actor Oscar nominee Matt Damon) and his squad to do the impo! ssible a nd win the World Cup. Prepare to be moved--and thrilled.After South Africa elected Nelson Mandela president, the racially divided country could've easily erupted into civil war. In Clint Eastwood's determinedly populist, yet heartfelt look back at that time, the director examines one of the more ingenious steps Mandela (Morgan Freeman in a performance of sly charm) took to prevent that from happening. Knowing that his country was set to host the Rugby World Cup in 1995, Mandela believed the national team could provide an example of reconciliation in action. Led by François Pienaar (an unbelievably buff Matt Damon), the mostly white Springboks inspired devotion among Afrikaners and disgust among native Africans. Instead of changing their name or colors, Mandela encouraged them to win for the sake of their homeland. During the year leading up to the event, the team learns to work together as never before, just as Mandela's newly integrated security detail, a combination of co! ps and activists, finds a way to bridge their ideological differences. By the time of the big day, the poorly ranked Springboks are well equipped to hold their own against New Zealand's All Blacks (so named for their uniforms, not their racial composition). Drawing from John Carlin's Playing the Enemy, Anthony Peckham's script takes its title, Latin for "unconquerable," from a British poem Mandela held close to his heart during the 27 years he spent in prison. If Damon's accent is more convincing, Freeman serves as the film's heart--and as a timely reminder that reconciliation is never easy, but that it will always trump revenge. --Kathleen C. Fennessy

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The Assassination of Jesse James by the Coward Robert Ford

• Everyone in 1880s America knows Jesse James. Hes the nations most notorious criminal, hunted by the law in 10 states. Hes also the lands greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. Hell befriend Jesse, ride with his gang. And if that doesnt bring Ford fame, hell find a deadlier way.Friendship become

Jesse James was a fabled outlaw, a charismatic, spiritual, larger-than-life bad man whose bloody exploits captured the imagination and admiration of a nation hungry for antiheroes. Robert Ford was a young upstart torn between dedicated worship and murderous jealousy, the "dirty little coward" who coveted Jesse's legend. The powerful, strange, and unforgettable story of their interweaving pathsâ€"and twin destinies that would collide in a rain of blood and betrayalâ€"is a story of America in all ! her rough, conflicted glory and the myths that made her.

2008 soundtrack to the acclaimed film starring Brad Pitt. The soundtrack's composers, Nick Cave and Warren Ellis, come from the internationally celebrated bands Nick Cave And The Bad Seeds, The Dirty Three and Grinderman. Cave and Ellis composed, played and produced this compelling and intense soundtrack for director Andrew Dominik's savage tale of the true West, The Assassination of Jesse James By The Coward Robert Ford. This soundtrack perfectly captures the charismatic and unpredictable nature of the film's central protagonist. Like the film, Cave and Ellis' music cuts through the mythic figure of Jesse James to reveal the complex, contradictory man beneath. Daring and passionately delivered, this beautiful soundtrack retains its captivating power even without the benefit of Dominik's images. Mute.Hansen re-creates the real West with his imaginative telling of the life of the most famous outlaw of them all, ! Jesse James, and of his death at the hands of the upstart Robe! rt Ford. James, a charismatic, superstitious, and moody man, holds sway over a ragged gang who fear his temper and quick shooting. Robert Ford, a young gang member torn between worshipping Jesse and taking his place, guns him down in cold blood and lives out his days tormented by the killing.Everyone in 1880s America knows Jesse James. He’s the nation’s most notorious criminal, hunted by the law in 10 states. He’s also the land’s greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. He’ll befriend Jesse, ride with his gang. And if that doesn’t bring Ford fame, he’ll find a deadlier way. Friendship becomes rivalry and the quest for fame becomes obsession in this virile epic produced in part by Ridley Scott and featuring gripping portrayals by Brad Pitt (winner of the Venice Film Festival Best Actor Award) as Jesse and Casey Affleck as the youth drawn closer to his goal…and farthe! r from his own humanity.Of all the movies made about or glancingly involving the 19th-century outlaw Jesse Woodson James, The Assassination of Jesse James by the Coward Robert Ford is the most reflective, most ambitious, most intricately fascinating, and indisputably most beautiful. Based on the novel of the same name by Ron Hansen, it picks up James late in his career, a few hours before his final train robbery, then covers the slow catastrophe of the gang's breakup over the next seven months even as the boss himself settles into an approximation of genteel retirement. But in another sense all of the movie is later than that. The very title assumes the audience's familiarity with James as a figure out of history and legend, and our awareness that he was--will be--murdered in his parlor one quiet afternoon by a backshooting crony.

The film--only the second to be made by New Zealandâ€"born writer-director Andrew Dominik--reminds us that Dominik's debut film, Ch! opper (2000), was the cunningly off-kilter portrait of ano! ther rea l-life criminal psychopath who became a kind of rock star to his society. The Jesse James of this telling is no Robin Hood robbing the rich to give to the poor, and that train robbery we witness is punctuated by acts of gratuitous brutality, not gallantry. Nineteen-year-old Bob Ford (Casey Affleck) seeks to join the James gang out of hero worship stoked by the dime novels he secretes under his bed, but his glam hero (Brad Pitt) is a monster who takes private glee in infecting his accomplices with his own paranoia, then murdering them for it. In the careful orchestration of James's final moments, there's even a hint that he takes satisfaction in his own demise.

Affleck and Pitt (who co-produced with Ridley Scott, among others) are mesmerizing in the title roles, but the movie is enriched by an exceptional supporting cast: Sam Shepard as Jesse's older, more stable brother Frank; Sam Rockwell as Bob Ford's own brother Charlie, whose post-assassination descent into madness i! s astonishing to behold; Paul Schneider, Garret Dillahunt, and Jeremy Renner as three variously doomed gang members; and Mary-Louise Parker, who as Jesse's wife Zee has few lines yet manages with looks and body language to invoke a wellnigh-novelistic backstory for herself. There are also electrifying cameos by James Carville, doing solid actorly work as the governor of Missouri; Ted Levine, as a lawman of antic spirit; and Nick Cave, composer of the film's score (with Warren Ellis) and screenwriter of the Aussie "Western" The Proposition, suddenly towering over a late scene to perform the folk song that set the terms for the book and movie's title.

Still, the real costar is Roger Deakins, probably the finest cinematographer at work today. The landscapes of the movie (mostly in Alberta and Manitoba) will linger in the memory as long as the distinctive faces, and we seem to feel the sting of its snows on our cheeks. Interior scenes are equally persuasive. Few West! erns have conveyed so tangibly the bleakness and austerity of ! the spac es people of the frontier called home, and sought in vain to warm with human spirit. --Richard T. Jameson

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The King of Kong: A Fistful of Quarters

• In this hilarious, critically acclaimed arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't re

AMERICAN MOVIE - DVD MovieStruggling filmmaker Mark Borchardt is the subject of American Movie, and he may also be the most determined man you'll ever meet. The straggly haired, fast-talking, Menomonee Falls, Wisconsin, native lists his greatest influences as Dawn of the Dead, Night of the Living Dead, and The Texas Chainsaw Massacre. He began making horror movies as a gangly adolescent, and is now set on finishing Coven (which he pronounces like "woven"), the "35-! minute direct market thriller" he has worked on for two years. In the process, he steadfastly battles immense debt, the threat of losing his kids, and birds chirping gleefully through scenes set in the dead of winter. His mother would rather do her shopping than be an extra, his brother contends he's best suited for factory work, and his father just wants him to "watch the language."

Standing by him through it all is Mark's childhood buddy, Mike Schank, who is the strongest weapon against drug use a task force could ever hope for, and Uncle Bill, begrudging financier of Coven, who appears to be wasting away before our very eyes. In less perceptive hands these two could easily become caricatures--the burnt-out stoner and the crotchety old coot--but through director Chris Smith's lens we see why Mark loves them, why they love Mark, and why each of these stories is uniquely compelling.

Winner of the Grand Jury Prize at the 1999 Sundance Film Festival, the film h! as been compared to Spinal Tap and Waiting for Guffm! an-- two unquestionably hilarious mock-documentaries--and, indeed, American Movie has plenty of laugh-out-loud moments. But in the spoofs, we feel encouraged to point and giggle at the poor slobs trying to get a piece of the action. Smith, however, offers us a funny and overwhelmingly affectionate portrait; you may sit down expecting to laugh at Mark's pie-in-the-sky hopes, but you soon find yourself bursting with admiration. "The American dream stays with me each and every day," Mark says, and by the end, we want nothing more than for it to come true. (The DVD version includes the complete short film "Coven.") --Brangien Davis This limited edition, special collectors' DVD set celebrates 25 years of the Sundance Institute. It contains ten ground-breaking films that embody the sprit of independence, creative risk-taking, and diversity that define the Sundance Film Festival. Bonus materials include a booklet and an 11th disc with behind-the-scenes footage from the Sun! dance Institute Labs and never-before-seen interviews with filmmakers and founder Robert Redford.In this hilarious, critically acclaimed arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't ready to renquish his crown without a fight. Go behind the barrels as the two battle it out in a vicious war to earn the title of the true King of Kong. The stuff of gladiatorial battle is here: good versus evil, right versus wrong, nerd versus... super-nerd? At any rate, it's a more entertaining showdown than most fictional movies can muster. The King of Kong is the saga of Steve Wiebe, a Redmond, Washington dweeb who sets a new record in the video game Donkey Kong, only t! o see his accomplishment challenged by the grand poobahs of th! e gaming establishment. And if you don't know how pernickety the grand poobahs of the gaming establishment can be, well, one of the pleasures of this movie is finding out about this collection of oddballs. It seems Wiebe has toppled a score that has stood since 1982, when eminent "Gamer of the Century" Billy Mitchell set it, and Mitchell isn't too happy about being overthrown. A black-mulleted showboat, Mitchell provides the perfect counterpoint to Wiebe's mild-mannered family man, and the smaller fish around him are no less colorful. This is one of those movies you watch in delighted disbelief, marveling that such people exist--and that they gladly allowed themselves to be filmed. Director Seth Gordon does an important thing in presenting this world of eccentrics: he doesn't mock them, or provide editorial nudging; he simply lets them be. The result is an ingratiating classic. --Robert Horton

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Creepshow [Blu-ray]

• Two macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style ofic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything . grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their

THREE TALES OF HORROR: A HIT AND RUN DRIVER IN THE HITCHHIKER A WOODEN INDIAN ON THE WARPATH IN OL' CHIEF WOODENHEAD & FOUR FRIENDS WHOSE VACATION ON A SECLUDED LAKE TURNS INTO ANIGHTMARE IN THE RAFT. FEATURES: WIDESCREEN, THEATRICAL TRAILER, PHOTO GALLERY.What is it about hitchhikers that makes them such a sure-fire bet for horror? This question is addressed in the final segment of Creepshow 2, another Stephen King-George Romero collaboration. "The Hitchhiker" is the simplest and best of the t! hree tales on display here, with Lois Chiles as a cheating wife who just can't seem to get rid of a hitchhiker... no matter how hard she tries. The collection gets off to a slow start with "Old Chief Wood'n Head," a sleepy story of Native American justice. "The Raft" is a passable teens-in-peril number, but it worked better on the page than on screen. Romero adapted the King stories but emphatically did not direct, which accounts for the drop-off from the kicky fun of the first Creepshow. King appears as a dimwitted truck driver--a foreshadowing of Maximum Overdrive? In any case, this one's for diehard fans only. --Robert HortonThe rotting Creep himself is back with three new gruesome tales of horror that will make your skin crawl: a cigar store wooden Indian comes to life to avenge the store owner's brutal murder at the hands of three punks in Ol’ Chief Woodenhead. Then four teenagers become the target of a terrifying, man-eating oil slick in ! The Raft. The chills continue with The Hitchhiker, the c hilling tale of a woman who keeps running into, and over, the same mutilated man on a lonely road. Prepare for a terrifying roller coaster ride from the masters of horror!What is it about hitchhikers that makes them such a sure-fire bet for horror? This question is addressed in the final segment of Creepshow 2, another Stephen King-George Romero collaboration. "The Hitchhiker" is the simplest and best of the three tales on display here, with Lois Chiles as a cheating wife who just can't seem to get rid of a hitchhiker... no matter how hard she tries. The collection gets off to a slow start with "Old Chief Wood'n Head," a sleepy story of Native American justice. "The Raft" is a passable teens-in-peril number, but it worked better on the page than on screen. Romero adapted the King stories but emphatically did not direct, which accounts for the drop-off from the kicky fun of the first Creepshow. King appears as a dimwitted truck driver--a foreshadowing of Maxi! mum Overdrive? In any case, this one's for diehard fans only. --Robert HortonCREEPSHOW 2 - DVD MovieWhat is it about hitchhikers that makes them such a sure-fire bet for horror? This question is addressed in the final segment of Creepshow 2, another Stephen King-George Romero collaboration. "The Hitchhiker" is the simplest and best of the three tales on display here, with Lois Chiles as a cheating wife who just can't seem to get rid of a hitchhiker... no matter how hard she tries. The collection gets off to a slow start with "Old Chief Wood'n Head," a sleepy story of Native American justice. "The Raft" is a passable teens-in-peril number, but it worked better on the page than on screen. Romero adapted the King stories but emphatically did not direct, which accounts for the drop-off from the kicky fun of the first Creepshow. King appears as a dimwitted truck driver--a foreshadowing of Maximum Overdrive? In any case, this one's for diehard fans! only. --Robert HortonStudio: Warner Home Video Releas! e Date: 09/08/2009 Run time: 134 minutes Rating: Pg13Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. ! --Bryan Reesman

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Incredible Creatures: Brown Bat

• Incredible Creatures Brown Bat
• Model Size: 9" L x 4" H (22.9 x 10.2 cm)
• Age 4+

They live in spooky caves, in forests, even in the dark reaches of ordinary attics and bridges. They flock by the hundreds, and they sleep while hanging upside down! In this beautifully photographed Level 2 reader, kids learn about one of the most interesting creatures aroundâ€"and discover the bat’s unique place in the wild and in the world. The high-interest topic, expertly written text, and bonus learning activity lay the groundwork for a successful and rewarding reading experience.Their amazing abilities and how they fit into the natural world.Extra large, soft, playful, true-to-life vinyl replicas of some of the most amazing creatures in the world. Excellent learning tool to introduce young children to our delicate and often endangered inhabitants of our planet. A fun way to spark the innate ! curiosity of a child. Each replica is finely hand painted and accurate down to the last detail. Educational information in five languages is included with each replica.

All our products are phthalate-free and thoroughly safety tested to safeguard your child's health. Safari Ltd takes pride in providing breathtaking, innovative and value priced figures for now over three generations.

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